by Peter Guralnick ‧ RELEASE DATE: Oct. 3, 1994
The first volume of two in what is bound to be the definitive biography of the King. Whereas Albert Goldman, in his infamous trash biography (Elvis, 1981), served up an overstuffed, doped-up Elvis in a one- sided portrait of an American nightmare, Guralnick (Sweet Soul Music, 1986, etc.) takes a more sensible and sensitive approach, tracing the roots of an American dream. The son of a ne'er-do-well father and an unnaturally devoted mother, an only child whose twin brother died at birth, Elvis grew up sheltered and alone. The fact that his father made little attempt to lift his family out of poverty turned out to be a blessing in disguise, because they remained just one tiny rung up the social ladder from their black neighbors—and their music. From an early age, Elvis heard and admired gospel and rhythm and blues. Amazingly, his own style seems to have emerged full-grown; he took only a few guitar lessons, performed little in high school, and to all outward appearances was ``beyond shy,'' in the words of his first producer, Sam Phillips. Thanks to Phillips, who patiently oversaw his first sessions, the real Elvis quickly emerged: a dynamic performer who knew instinctively how to bring his audience to a frenzy and rapidly became a star. Guralnick perfectly captures Elvis's mixture of naãvetÇ and shrewdness: He carried a joy buzzer to his first meeting with RCA executives but also carefully practiced every stage movement for maximum effect. Still, Elvis repeatedly expressed his fears that he would ``go out like a light, just like I came on.'' This volume ends in 1958, when Elvis was inducted into the Army and his beloved mother died. The year marked the end of a youthful innocence and the beginning of a long and sorry decline. A serious, musically literate, and historically attuned biography. An American epic that belongs on every bookshelf. (20 b&w photos) (Author tour)
Pub Date: Oct. 3, 1994
ISBN: 0-316-33220-8
Page Count: 512
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1994
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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