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THE WOMAN AND THE APE

Heg's fourth novel (his third, the international success Smilla's Sense of Snow, 1993, having been the first published here) is an energetic fable about relations between the animal kingdom and its human exploiters—more than a little didactic in spots, but distinguished by enough wit and invention to redeem a dozen lesser books. The story begins in London when a ``dwarf chimpanzee'' escapes from animal smugglers and is immediately captured and targeted for exhaustive experimentation by a research institute affiliated with the city's zoo. Behavioral scientist Adam Burden and his steely sister Andrea, who works for an Animal Welfare Foundation, see in their astonishing find (``a new and hitherto unknown mammal, an apparently highly intelligent anthropoid ape'') a career-making opportunity. But their plans are thwarted when Adam's Danish-born wife Madelene, a lissome alcoholic, discovers in the ape (named ``Erasmus'') a fellow sufferer whose captivity echoes her own (as a tamed, well-behaved helpmate and showpiece), and also a potential soulmate. Forswearing drink, Madelene craftily subverts her husband's careerist politicking, and—aided by the smuggler's cheerfully criminal driver—runs off with Erasmus. The novel really picks up seriocomic steam as Madelene and Erasmus learn to communicate (he can talk, and is a quick learner), make love in the treetops, and enjoy a mock-Edenic ``idyll'' unobserved in a junglelike wildlife preserve. Everything climaxes during Adam's acceptance speech as he's being installed as the London Zoo's new director—with dramatic proof that Erasmus isn't the only creature of his kind. It's a romp, in more senses than one, and Heg manages, against odds, to shape both the story's discursiveness and its ingenious plot toward a smashing and emotionally satisfying conclusion. Heg is an adventurous and intelligent writer whose future course seems, happily, impossible to predict. He has made himself, in a few short years, one of the essential contemporary novelists. (First printing of 100,000)

Pub Date: Dec. 1, 1996

ISBN: 0-374-29203-5

Page Count: 272

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 1996

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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