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AMAZON BEAMING

The strange and wonderful tale of National Geographic photographer Loren McIntyre's mystical journal from the depths of the Amazon basin to the river's ultimate source in the Andes, solemnly related by Popescu (The Last Wave; In Hot Blood, 1988 paperback.) With 40 years of Amazon exploration under his belt, as well as subsidiary careers in the US Navy and as a documentary filmmaker, McIntyre jumped at the chance to experience and photograph a ``first contact'' with an elusive Mayoruna tribe rumored to exist on the shores of the Rio Javari, an Amazon tributary. Airdropped onto the river's shore, McIntyre easily joined up with the seminomadic ``cat people''—who tattooed their faces and stuck spines in their cheeks to resemble their claimed jaguar ancestors- -but soon became hopelessly lost following their flight from an unseen enemy. Worried that his hired pilot would never find him, unable to speak the Indians' language, and suffering severe culture shock from jungle life, McIntyre nevertheless became fascinated by the Mayoruna headman, who seemed to communicate with the American through what McIntyre called ``beaming''—or mental telepathy. McIntyre apparently received mental messages regarding the tribe's plan to escape modern encroachers by traveling ``back to the beginning''—fasting, dancing, and ingesting natural hallucinogens to return to the safety of the beginning of time. After witnessing this ceremony, McIntyre returned to civilization, but he would experience a psychic reunion with the tribe—and, perhaps, their ancient ancestors—two years later while combing the Andes for the true source of the Amazon. Three stories—McIntyre's contact with the Mayoruna, his discovery of the Amazon's source, and his own inner, spiritual exploration—make for an occasionally unwieldy bundle of a book, but Popescu's awe, combined with McIntyre's general stupefaction, makes for fascinating reading. A sort of Castaneda exercise in mystical and ecological inquiry, perfectly timed for the New Age. (Sixteen pages of color photographs—not seen.)

Pub Date: Sept. 1, 1991

ISBN: 0-670-82997-8

Page Count: 480

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1991

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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