A beautifully produced homage.
A festival of roses.
With more than 200 color images and five essays, this sumptuous volume celebrates an iconic flower. Introduced by Kristine Paulus, collection development librarian at the New York Botanical Garden, essays include fashion historian Amy de La Haye’s overview of roses in clothing design; a piece by Victoria Gaiger, editor at Rakesprogress magazine, examining the use of roses in perfumes; and floral designer Shane Connolly’s consideration of the language of a flower long associated with goddesses of love. Rose, Gaiger discovered, the favorite scent of Marie Antoinette, later became a prominent note in Paul Poiret’s La Rose de Rosine and Chanel’s famous No. 5. Although the red rose has endured as a symbol of affection—notably, of course, on Valentine’s Day—Connolly reveals that roses of other hues send subtle messages, too. Michael Marriott, chairman of the Historic Roses Group, offers a glossary of rose types—damasks and floribundas, ramblers and rugosas, among many others. The blossom Sappho called “the queen of flowers” originated more than 30 million years ago and contains more than 150 wild species and tens of thousands of cultivars. Beloved by Greeks, Romans, and throughout the ancient world, the rose inspired festivals that still continue. Among the book’s images is a fragile gold and glass floral wreath dated to the third or second century B.C.E. Featured, as well, are delicate botanical drawings and paintings by a wide range of artists, including Vincent van Gogh, William Morris, Pierre-Auguste Renoir, Gustav Klimt, Georgia O’Keeffe, and Salvador Dalí. Fashion plates display the creations of designers such as Christian Dior, Elsa Schiaparelli, Charles Worth, and Alexander McQueen. Not least, Ian Hamilton Finlay’s screenprint on tile takes as its motif Gertrude Stein’s famous line of poetry, “A rose is a rose is a rose.” Perhaps it’s all that needs saying.
A beautifully produced homage.Pub Date: April 2, 2025
ISBN: 9781838668808
Page Count: 248
Publisher: Phaidon
Review Posted Online: Jan. 17, 2025
Kirkus Reviews Issue: Feb. 15, 2025
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.
A coffee-table book celebrates Michelle Obama’s sense of fashion.
Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.Pub Date: Nov. 4, 2025
ISBN: 9780593800706
Page Count: 304
Publisher: Crown
Review Posted Online: Nov. 7, 2025
Kirkus Reviews Issue: Jan. 1, 2026
SEEN & HEARD
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