Overall, a striking collection of portraits, human interactions, and incidents that draw the magnificent quirks of life from...
Poet Philip Gaber builds a collection of poems that cover a span of human emotions, from despair to anger, grace, hope, and often painful self-reflection.
This collection of poems builds its momentum in the concrete world, one filled with hospital rooms, canned food, cigarettes, old films and Holiday Inns. Gaber reaches for the real and the undressed inside of conversations, portraits, and even seemingly poignant moments that offer glimmers of grace and humorous humility. The poem that begins the collection describe an aging woman speaking critical of herself: “my lips have become a joke... my eyebrows, exaggerated.” The poet expresses a universal longing that could be attributable to any aging soul looking back over her life wondering what it all means, what kind of identity she has to cling to, and, finally, the embracing of fate. This poem exemplifies the motif that will carry on throughout the poems in the collection. Like many poets, Gaber chooses to highlight specific moments – drives through the night, phone calls with girlfriends or family members, and visits to the dying – to convey a universal truth about loneliness, grief, and sometimes a self-deprecation that is tinted with humor but borders on disgust. In the poem “a rough full-contact love,” the speaker notes, “I always seem to be on the verge of / something terrific like becoming employed again.” He moves between these concrete and blunt verses to lines that open the poem into a more abstract space, such as “I always seem to be thinking up new ways of kissing,” which convey a deeper dissatisfaction or restlessness with mundane domestic life. Gaber's portraits are often funny. In one poem, “she suffers well,” he commits, “Over a plate of beans and onions / she confessed to having a / pool-hall education.” Though sometimes the line breaks are undecipherable and seemingly haphazard, the concrete world grounds these poems in the five senses and gives the reader a visual and aural experience as much as one of human emotion and pensive thought.
Overall, a striking collection of portraits, human interactions, and incidents that draw the magnificent quirks of life from mundane daily practice.Pub Date: June 23, 2012
ISBN: 978-0615585864
Page Count: 184
Publisher: CreateSpace
Review Posted Online: Sept. 6, 2012
Review Program: Kirkus Indie
BOOK REVIEW
In more ways than one, a tale about young creatures testing their wings; a moving, entertaining winner.
A fifth-grade New Orleans girl discovers a mysterious chrysalis containing an unexpected creature in this middle-grade novel.
Jacquelyn Marie Johnson, called Jackie, is a 10-year-old African-American girl, the second oldest and the only girl of six siblings. She’s responsible, smart, and enjoys being in charge; she likes “paper dolls and long division and imagining things she had never seen.” Normally, Jackie has no trouble obeying her strict but loving parents. But when her potted snapdragon acquires a peculiar egg or maybe a chrysalis (she dubs it a chrysalegg), Jackie’s strong desire to protect it runs up against her mother’s rule against plants in the house. Jackie doesn’t exactly mean to lie, but she tells her mother she needs to keep the snapdragon in her room for a science project and gets permission. Jackie draws the chrysalegg daily, waiting for something to happen as it gets larger. When the amazing creature inside breaks free, Jackie is more determined than ever to protect it, but this leads her further into secrets and lies. The results when her parents find out are painful, and resolving the problem will take courage, honesty, and trust. Dumas (Jaden Toussaint, the Greatest: Episode 5, 2017, etc.) presents a very likable character in Jackie. At 10, she’s young enough to enjoy playing with paper dolls but has a maturity that even older kids can lack. She’s resourceful, as when she wants to measure a red spot on the chrysalegg; lacking calipers, she fashions one from her hairpin. Jackie’s inward struggle about what to obey—her dearest wishes or the parents she loves—is one many readers will understand. The book complicates this question by making Jackie’s parents, especially her mother, strict (as one might expect to keep order in a large family) but undeniably loving and protective as well—it’s not just a question of outwitting clueless adults. Jackie’s feelings about the creature (tender and responsible but also more than a little obsessive) are similarly shaded rather than black-and-white. The ending suggests that an intriguing sequel is to come.
In more ways than one, a tale about young creatures testing their wings; a moving, entertaining winner.Pub Date: Nov. 11, 2017
ISBN: 978-1-943169-32-0
Page Count: 212
Publisher: Plum Street Press
Review Posted Online: Feb. 22, 2018
Kirkus Reviews Issue: April 15, 2018
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A YA novel that treats its subject and its readers with respect while delivering an engaging story.
In the ninth book in the Bluford young-adult series, a young Latino man walks away from violence—but at great personal cost.
In a large Southern California city, 16-year-old Martin Luna hangs out on the fringes of gang life. He’s disaffected, fatherless and increasingly drawn into the orbit of the older, rougher Frankie. When a stray bullet kills Martin’s adored 8-year-old brother, Huero, Martin seems to be heading into a life of crime. But Martin’s mother, determined not to lose another son, moves him to another neighborhood—the fictional town of Bluford, where he attends the racially diverse Bluford High. At his new school, the still-grieving Martin quickly makes enemies and gets into trouble. But he also makes friends with a kind English teacher and catches the eye of Vicky, a smart, pretty and outgoing Bluford student. Martin’s first-person narration supplies much of the book’s power. His dialogue is plain, but realistic and believable, and the authors wisely avoid the temptation to lard his speech with dated and potentially embarrassing slang. The author draws a vivid and affecting picture of Martin’s pain and confusion, bringing a tight-lipped teenager to life. In fact, Martin’s character is so well drawn that when he realizes the truth about his friend Frankie, readers won’t feel as if they are watching an after-school special, but as though they are observing the natural progression of Martin’s personal growth. This short novel appears to be aimed at urban teens who don’t often see their neighborhoods portrayed in young-adult fiction, but its sophisticated characters and affecting story will likely have much wider appeal.
A YA novel that treats its subject and its readers with respect while delivering an engaging story.Pub Date: Jan. 1, 2004
ISBN: 978-1591940173
Page Count: 152
Publisher: Townsend Press
Review Posted Online: Jan. 26, 2013
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
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