Next book

THE WHITE QUEEN

A mixed result in this first of a new series.

Gregory’s latest fiction (The Other Queen, 2008, etc.) moves from the Tudors to their predecessors, the Plantaganets, and their War of the Roses.

It is 1464 and Henry VI is King of England, but not for long. Mentally unstable (some say a holy fool), his House of Lancaster is fighting the House of York to maintain a puppet throne. A young Yorkist heir claims the crown through a series of battles and becomes Edward IV. Elizabeth Woodville, a Lancastrian widow and famous beauty, stops the King and his retinue on the road to ask that her lands and inheritance be restored to her. It is love at first sight (or maybe lust as the King is a notorious letch, or maybe witchcraft—Elizabeth and her mother dabble in the black arts), and soon she and Edward marry and she ascends the throne as the new Queen of England. On the advice of her mother and Edward, she gives titles and power to all of her family, a move that makes her allies and enemies in equal measure. Along the way there are betrayals by those seeking the throne for themselves, more conquests and more enemies made, with France always at their heels. In the midst of this Elizabeth and Edward have many children, including two boys who become part of the unsolved mystery of the Princes in the Tower. When Edward suddenly dies, his brother Richard III steals the rights of the young Prince of Wales and crowns himself King. As always Gregory fills out all the dark corners of history and creates a thrilling read, and again creates a portrait of female society that has more power (diamond-hard women who will see their sons and husbands rule at any cost) than is generally acknowledged. Yet the intimacy of Elizabeth Woodville’s story is too often overshadowed by the complexities of the times she lived in, and in Gregory’s attempt to get it all in, some depth of character is left out.

A mixed result in this first of a new series.

Pub Date: Sept. 1, 2009

ISBN: 978-1-4165-6368-7

Page Count: 448

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2009

Categories:
Next book

MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

Categories:
Next book

THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

Categories:
Close Quickview