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LIE WITH ME

An insightful reminder that in the years before gay dating apps zapped the mystery out of erotic pursuit, love between even...

A bestselling French writer—or at least the novelized version of a bestselling French writer—reckons in older age with a passionate affair he had as a young man.

Written in an almost confessional first-person, Besson’s (His Brother, 2005, etc.) latest is a French bestseller set in the mid-1980s in a small, "gray" Bordeaux town “doomed to disappear.” The narrator, an ambitious high school student and son of the principal, falls deeply for a fellow student, the “slender and distant” Thomas Andrieu, a character in the novel but also apparently an actual person to whom the novel is dedicated. Thomas is beautiful but not worldly; he’s a sensitive, stunted stud who doesn’t see a way out of the town. Different as he and the narrator are, they nonetheless initiate an affair that takes place in hidden rooms on campus and at the narrator’s home when his parents aren’t around. Besson’s initial reluctance to put names to their sex acts (“I am enthralled by his sex," the narrator writes, as if it’s 1822) feels musty, though the author does get more descriptively honest as the story progresses. The love between the two feels real and memorable, and Besson is a thoughtful writer who can strike home with vivid imagery, particularly as he and Thomas age and grow apart and Thomas’ son, Lucas, develops a friendship of sorts with the narrator. The only quibble is that this book, which is deftly translated, doesn’t exactly feel like a novel; it reads like a memoir. In fact, the only thing that keeps it from being garden-variety autofiction is Besson’s willingness to wink at his decision to make fictional an experience that seems to be based in reality.

An insightful reminder that in the years before gay dating apps zapped the mystery out of erotic pursuit, love between even mismatched men could be lifesaving.

Pub Date: April 30, 2019

ISBN: 978-1-5011-9787-1

Page Count: 160

Publisher: Scribner

Review Posted Online: March 3, 2019

Kirkus Reviews Issue: March 15, 2019

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ANIMAL FARM

A FAIRY STORY

A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.

Pub Date: Aug. 26, 1946

ISBN: 0452277507

Page Count: 114

Publisher: Harcourt, Brace

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Aug. 1, 1946

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THINGS FALL APART

This book sings with the terrible silence of dead civilizations in which once there was valor.

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Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.

Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.

This book sings with the terrible silence of dead civilizations in which once there was valor.

Pub Date: Jan. 23, 1958

ISBN: 0385474547

Page Count: 207

Publisher: McDowell, Obolensky

Review Posted Online: April 23, 2013

Kirkus Reviews Issue: Jan. 1, 1958

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