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POTHOS

A passionate story that’s pulled in too many directions.

A medical student navigates a dramatic love affair and a medical internship in this experimental novella.

This slim tale opens with the nameless narrator going to meet his lover, Juliette, in a cafe. It turns out that a man named Mark, also known as “butcher boy,” has harmed Juliette. A tense conversation follows, alluding to an S&M club, a trial and the characters’ own doomed love affair. The narrator goes on to recount how he met Juliette: While he was interning at a hospital, Juliette came in for an abortion; he drove her home and then slept with her. At his current internship in the psychiatric ward, he describes the patients there and their various forms of madness. An odd evening at the hospital ensues, including a demented conversation with a delusional banker, a sexually charged exchange with a female patient, and a long, intellectual discussion about what the narrator has for dinner: a pot-a-feu, or French beef stew. The narrator then tells of his affair with Juliette: After whisking her away to Rome, she disappears, and he later finds her with her lover, Mark. One night, the narrator insults Mark and goes off to find his friends and his girlfriend, Marianne, but he eventually ends up with Juliette again. After a brief return to the present-day psych ward, the scene shifts to the narrator driving to the S&M club, where he sees Mark exit, carrying Juliette in his arms. The two men fight, and the narrator rescues Juliette, but she’s angry that he intervened. He takes her away in a car, which leads to their last romantic encounter. The novel has a compelling premise: a med student on a psych ward and his tumultuous romantic life. However, the ambitious setup falls flat due to confusing jumps in time and excessive tangential episodes. Too many characters crowd this short narrative, and the central drama doesn’t quite carry the story from beginning to end. The novel never clearly explains why the narrator is so drawn to Juliette, for example, or why he assumes that she’s in danger with Mark. There’s some poetic language, as when the narrator compares pale-skinned Juliette to a character in a story who drains her own blood. However, these occasions are lost in the story’s jumbled chronology.

A passionate story that’s pulled in too many directions.

Pub Date: July 28, 2014

ISBN: 979-1093525037

Page Count: 58

Publisher: CreateSpace

Review Posted Online: Oct. 9, 2014

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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