Essential for Beatles fans and a pleasure to read.
Quick: What’s the last cover the Beatles ever recorded?
If you answered “Maggie Mae,” from "Let It Be," then you’re likely to inhabit the same geeky, completist universe as French Beatleologists Margotin and Guesdon. Their thoroughness, not to say obsessiveness, yields all sorts of surprises, even for the initiated. Consider, for instance, that "Please Please Me," the group’s first official album, was recorded in a single day, February 11, 1963—well, many readers may know that. But who knew that the band took three hours to record two songs, then broke for 1 ½ hours, then recorded three songs and overdubbed three more, then took another 1 ½–hour break, then recorded six songs between 7:30 and 10:45? Well, now you do. And who knew that Eddy Thornton, Ian Hamer and Les Condon played trumpet in the 1966 session that yielded the canonical cut of “Got to Get You Into My Life”? (Thornton, by the way, was a member of Georgie Fame and the Blue Flames, while the other two were in-demand jazz players.) There’s all sorts of spinoff trivia in these wonderfully well-illustrated pages, from the fact that Humble Pie copped the sound of “Paperback Writer” to the circumstances surrounding John Lennon’s “Ballad of John & Yoko” and the eventual tensions that tore the band apart. There are a few modest missteps—it’s not particularly useful to know that George Harrison’s song “Piggies” was “a social critique light-years away from the Eastern philosophy of which he had become a fervent devotee”—but, for the most part, this is rock-solid stuff.
Essential for Beatles fans and a pleasure to read.Pub Date: Oct. 23, 2013
ISBN: 978-1-57912-952-1
Page Count: 672
Publisher: Black Dog & Leventhal
Review Posted Online: Aug. 11, 2013
Kirkus Reviews Issue: Sept. 1, 2013
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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