Soto plants a banana shoot by his home in the Virgin Islands and oversees its growth; the development of the fruit is watched not only by the boy, but by tree rats and thrushees as well. When the fig bananas are ripe, Soto's mother takes them to market to sell. This implies a further threat to Soto's bananas, one that is quickly defused when Soto is allowed to give some to his friends- -the hatmaker, the fraico man, and the local librarian—all of whom have been kind to him. Gershator (Sambalena Show-Off, 1995, etc.) pens a sweet, sweet tale; newcomer Millevoix's primitive illustrations are rough but decorative, enhancing the story's exotic setting. (Picture book. 4-7)
Pub Date: March 1, 1996
ISBN: 0-8075-7693-X
Page Count: 30
Publisher: Whitman
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1996
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Desperation confused for hysterics.
Harris’ latest makes an urgent plea for somber reflection.
“Stop! Stop!! Stop!!!” Right from the get-go, readers are presented with three rules for reading this book (“Don’t look at this book!” “Do look at your listener!” “Get your listener to look at you!”). But the true lesson is in the title itself: If anyone listening to this book laughs, you have to start it all over. Challenge accepted? Good. Sheer frenetic energy propels what passes for a narrative as the book uses every trick up its sleeve to give kids the giggles. Silly names, ridiculous premises, and kooky art combine, all attempting some level of hilarity. Bloch’s art provides a visual cacophony of collaged elements, all jostling for the audience’s attention. Heavily influenced by similar fourth wall–busting titles like The Stinky Cheese Man and Other Fairly Stupid Tales (1992) by Jon Scieszka, illustrated by Lane Smith, and the more contemporary The Book With No Pictures (2014) by B.J. Novak, these attempts to win over readers and make them laugh will result in less giggles than one might imagine. In the end, the ultimate success of this book may rest less on the art or text and more on the strength of the reader’s presentation. (This book was reviewed digitally.)
Desperation confused for hysterics. (Picture book. 4-7)Pub Date: Sept. 27, 2022
ISBN: 978-0-316-42488-2
Page Count: 40
Publisher: Little, Brown
Review Posted Online: June 7, 2022
Kirkus Reviews Issue: July 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Pedestrian.
Mr. Brown can’t help with farm chores because his shoes are missing—a common occurrence in his household and likely in many readers’ as well.
Children will be delighted that the titular Mr. Brown is in fact a child. After Mr. Brown looks in his closet and sorts through his other family members’ shoes with no luck, his father and his siblings help him search the farm. Eventually—after colorful pages that enable readers to spot footwear hiding—the family gives up on their hunt, and Mr. Brown asks to be carried around for the chores. He rides on his father’s shoulders as Papa gets his work done, as seen on a double-page spread of vignettes. The resolution is more of a lesson for the adult readers than for children, a saccharine moment where father and son express their joy that the missing shoes gave them the opportunity for togetherness—with advice for other parents to appreciate those fleeting moments themselves. Though the art is bright and cheerful, taking advantage of the setting, it occasionally is misaligned with the text (for example, the text states that Mr. Brown is wearing his favorite green shirt while the illustration is of a shirt with wide stripes of white and teal blue, which could confuse readers at the point where they’re trying to figure out which family member is Mr. Brown). The family is light-skinned. (This book was reviewed digitally.)
Pedestrian. (Picture book. 4-7)Pub Date: March 14, 2023
ISBN: 978-1-5460-0389-2
Page Count: 32
Publisher: WorthyKids/Ideals
Review Posted Online: Nov. 15, 2022
Kirkus Reviews Issue: Dec. 1, 2022
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