THE DEAD FAMILY DIAZ

Angelito is not looking forward to the Day of the Dead. Even though he will be with his family when they arrive at the Land of the Living, his anxieties mount as the elevator door opens onto the raucous party atmosphere of El Día de los Muertos.

Bracegirdle crafts a colorful story about facing fears and accepting differences while seamlessly integrating Spanish words and phrases and information about the holiday’s traditions. Angelito’s older sister, Estrellita, teases him about how frightening and strange the Living are. While everyone in his family is excited about the upcoming festivities, Angelito is afraid of what he will encounter. When he gets separated from his family in the Land of the Living, he finds a friend in Pablo—wearing a skeleton mask—who Angelito believes is just like himself. They have fun together, but at one point both boys realize exactly what the other is. Here Bernatene departs from his lush and vibrantly hued full-bleed spreads to reveal a double-page close-up of both boys, set against ample white space, facing each other with shocked surprise. After running away, Angelito experiences a range of emotions conveyed through spot illustrations. Conveniently, the boys meet up to not only forgive each other, but to also play a trick on Estrellita.

Although a bit pat, the ending satisfies, and the story as a whole addresses many issues pertinent to primary-grade children.