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I HEARD SAID THE BIRD

A bird zips into the barnyard, a feathered Paul Revere, with a late-breaking flash: A ``NEW ONE'' is coming. But among all the barnyard inhabitants, just who is expecting? A small boy solves the problema human baby has arrived, whom he proudly shows off through a window. Berends (The Case of the Elevator Duck, 1989, not reviewed, etc.) provides a spare text that is playful and rhyming: `` `My word!' said the bird. `And how!' said the cow. `Of course,' said the horse.'' Sneed's watercolors are terrific. In these, he captures distinctive animal gesturesthe way a cow might turn its head or a bird apply the breaks. The perspective is often from ground level, endowing the farm creatures with an enormous, amiable presence. Each animal possesses a distinct personality, sometimes aided by an idiosyncratic characteristic: the put-upon air of the bird, the scrawny neck of the hare, the long sculptured snout of the mare. When the boy communes directly and naturally with the animals, it's simply another low-keyed, artful touch, not at all out of the ordinary. Pleasingly subtle, cheerful, and big-hearted. (Picture book. 3-6)

Pub Date: Sept. 1, 1995

ISBN: 0-8037-1223-5

Page Count: 32

Publisher: Dial Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1995

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CINDERELLA

From the Once Upon a World series

A nice but not requisite purchase.

A retelling of the classic fairy tale in board-book format and with a Mexican setting.

Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.

A nice but not requisite purchase. (Board book/fairy tale. 3-5)

Pub Date: Sept. 13, 2016

ISBN: 978-1-4814-7915-8

Page Count: 24

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Oct. 11, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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IN THE SKY AT NIGHTTIME

A tender bedtime tale set in a too-seldom-seen northern world.

A quiet book for putting young children to bed in a state of snowy wonder.

The magic of the north comes alive in a picture book featuring Inuit characters. In the sky at nighttime, snow falls fast. / … / In the sky at nighttime, a raven roosts atop a tall building. / … / In the sky at nighttime, a mother’s delicate song to her child arises like a gentle breeze.” With the repetition of the simple, titular refrain, the author envisions what happens in a small town at night: Young children see their breath in the cold; a hunter returns on his snowmobile; the stars dazzle in the night sky. A young mother rocks her baby to sleep with a song and puts the tot down with a trio of stuffed animals: hare, polar bear, seal. The picture book evokes a feeling of peace as the street lamps, northern lights, and moon illuminate the snow. The illustrations are noteworthy for the way they meld the old world with what it looks like to be a modern Indigenous person: A sled dog and fur-lined parkas combine easily with the frame houses, a pickup truck, power lines, and mobile-hung crib. By introducing Indigenous characters in an unremarkably familiar setting, the book reaches children who don’t always see themselves in an everyday context.

A tender bedtime tale set in a too-seldom-seen northern world. (Picture book. 3-5)

Pub Date: Oct. 1, 2019

ISBN: 978-1-77227-238-3

Page Count: 36

Publisher: Inhabit Media

Review Posted Online: July 27, 2019

Kirkus Reviews Issue: Aug. 15, 2019

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