Cosentino’s third introduction to a costumed superhero for newly independent readers (Superman, 2010, etc.) adequately covers the basics while resolutely placing its subject on the moral and ethical high ground. Blending the original DC origin story with its several subsequent adjustments and reboots, he lets Diana Prince herself narrate the account. She describes her birth, the athletic contest in which she won her silver bracelets and other gear, how she set out to protect the world from evil Ares and makes it her mission “to teach peace and respect to all…and to show the world how to live in harmony with nature.” Using thick black lines and bright colors and working in full spreads with the occasional inset panel or panel sequence, he depicts his scantily clad Amazon in stylized heroic postures—legs wide, fists at the ready, granite chin thrust forward, rosebud lips in a pout of concentration. This rarely varies as she takes out Circe and other threats, rescues an Inuit family from an ice floe, poses with smiling animals and people and soars in her semivisible jet. Wonder Woman uses her Lasso of Truth without ever clearly explaining its powers, and even younger readers may feel some cognitive dissonance between her claim that she works “through love and kindness” and her evident violence against Ares. Still, she stands as proof that there’s more to this superhero business than big muscles and testosterone-fueled aggression. (Picture book. 6-8)
Pub Date: April 1, 2011
ISBN: 978-0-670-06256-0
Page Count: 36
Publisher: Viking
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: March 1, 2011
A story of friendship that is both lively and lovely
Two friends embark upon a high-seas adventure.
Kondo, a large lemon-colored creature with wide round eyes, spends his day on his island home with his best friend, tangerine-hued Kezumi. Together, they frolic on their idyllic isle picking berries (tall Kondo nabs the higher fruit while Kezumi helps to retrieve the lower) while surrounded by tiny “flitter-birds” and round “fluffle-bunnies.” One day, Kezumi finds a map in a bottle that declares “WE ARE NOT ALONE.” Inspired by visions of a larger world, Kondo and Kezumi fashion a boat from a bathtub and set sail. The pair visits fantastical islands—deliciously cheese-laden Dairy Isle, the fiery and fearsome Fireskull Island—until they eventually settle upon the titular Giant Island, where they meet Albert, a gigantic gray talking mountain who is—obviously—unable to leave. Enthralled by his new friends, Albert wants them to stay forever. After Albert makes a fraught decision, Kondo and Kezumi find themselves at a crossroads and must confront their new friend. Goodner and Tsurumi’s brightly illustrated chapter book should find favor with fans of Kate DiCamillo and Chris Van Dusen’s similarly designed Mercy Watson series. Short, wry, descriptive sentences make for an equally enjoyable experience whether read aloud or independently. Episodic chapters move the action along jauntily; the conclusion is somewhat abrupt, but it promises more exploration and adventures for the best friends. (This review was originally published in the June 1, 2019, issue. The book data has been updated to reflect changes in publisher and date of publication.)
A story of friendship that is both lively and lovely (Fantasy. 6-8)Pub Date: Oct. 27, 2020
ISBN: 978-1-368-02577-5
Page Count: 80
Publisher: Little, Brown
Review Posted Online: May 7, 2019
Kirkus Reviews Issue: July 15, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Innocuous adventuring on the smallest of scales.
The Mouse and the Motorcycle (1965) upgrades to The Mice and the Rolls-Royce.
In Windsor Castle there sits a “dollhouse like no other,” replete with working plumbing, electricity, and even a full library of real, tiny books. Called Queen Mary’s Dollhouse, it also plays host to the Whiskers family, a clan of mice that has maintained the house for generations. Henry Whiskers and his cousin Jeremy get up to the usual high jinks young mice get up to, but when Henry’s little sister Isabel goes missing at the same time that the humans decide to clean the house up, the usually bookish big brother goes on the adventure of his life. Now Henry is driving cars, avoiding cats, escaping rats, and all before the upcoming mouse Masquerade. Like an extended version of Beatrix Potter’s The Tale of Two Bad Mice (1904), Priebe keeps this short chapter book constantly moving, with Duncan’s peppy art a cute capper. Oddly, the dollhouse itself plays only the smallest of roles in this story, and no factual information on the real Queen Mary’s Dolls’ House is included at the tale’s end (an opportunity lost).
Innocuous adventuring on the smallest of scales. (Fantasy. 6-8)Pub Date: Jan. 3, 2017
ISBN: 978-1-4814-6575-5
Page Count: 144
Publisher: Aladdin
Review Posted Online: Sept. 18, 2016
Kirkus Reviews Issue: Oct. 1, 2016
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