Although sorely in need of maps and other illustrations, this is an impressive, engaging analysis of one of the most...
A swift and savvy journey through 164 years of Alamo history—from lines in the sand to lines at the gift shop.
Roberts (History/Purdue) and Olson (History/Sam Houston State Univ.) present a balanced analysis of one of the obsessions of the subject of their previous work (John Wayne: American, 1995). The first half deals with the brief battle itself (it was over in about 90 minutes)—its causes, its participants, and its immediate aftermath. The second examines “how Americans gave and continue to give meaning to the event.” The authors provide fair and careful portraits of the principal players in the bloody drama: they characterize the Mexican general Santa Anna was “Byronic,” a man who “lusted for absolute power” and considered himself “Napoleon’s latter-day reincarnation.” William Barret Travis, the Alamo’s commander, read novels by Sir Walter Scott and, like many others at the time, employed “the rhetoric of the American Revolution.” Jim Bowie convinced Sam Houston the makeshift fortress could be defended—then died in his Alamo bed where he lay suffering from some devastating illness (perhaps typhoid). The most compelling and controversial figure, however, remains Davy Crockett, whose portrayals by Fess Parker and John Wayne have become part of the collective American imagination. Roberts and Olson consider the documentary evidence of Crockett’s life and death and conclude “there is no definitive account of Crockett’s final hours.” There are compelling chapters on the restoration of the structure, on Disney’s Davy Crockett phenomenon (which “must have made a dent in the raccoon population”), on Wayne’s meticulous but sluggish 1960 film (the set was cleared of rattlesnakes each morning), on the various academic interpretations of the Alamo, and on the structure’s continuing role as a lightning rod for political activists of all stripes.
Although sorely in need of maps and other illustrations, this is an impressive, engaging analysis of one of the most politically charged events in American history.Pub Date: Jan. 22, 2001
ISBN: 0-684-83544-4
Page Count: 352
Publisher: Free Press
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Nov. 1, 2000
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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