Writing for the fun of writing. A treat for the reader.
Two novellas from the big heart of an American original—one about time and music, the other a riff on Moby-Dick.
Still active, curious and writing in his ninth decade, Bradbury (Farewell Summer, 2006, etc.) does a little desk cleaning, finishing up a story that’s nagged at him for years and having another stab at a sci-fi version of Moby-Dick first written for radio following his screenplay for the midcentury John Huston film. The first novella, Somewhere a Band is Playing, was inspired by a Jerry Goldsmith movie theme with which Bradbury was so taken that he went home and wrote lyrics for it, snatches of which turn up here. An early 20th-century Chicago reporter, James Cardiff, responds to a song heard in a dream by taking a train to Arizona, alighting at Summerton, a Brigadoonish town scheduled to be wiped off the map by highway engineers. He’s met by an amiable stationmaster who delivers him in a horse-drawn wagon to a beautiful small hotel full of intoxicating kitchen smells and peopled by amiable immortals. Cardiff’s wanderings through the town follow the route of a friendly delivery horse and lead him to the arms of Nefertiti, another immortal, beautiful and wise, whose invitation to join the club sets his head spinning. Will he accept? It doesn’t really matter. The pleasure here is writing that sounds like Aaron Copland’s music written for Our Town, and it is pleasant indeed. In Leviathan ’99, Ishmael Jones signs on as crew for a rocket set for a mapping and exploration mission. His Queequegish berthmate is Quell, a huge telepathic spider with whom he quickly bonds. Following Melville’s template, the captain has his own mission, to capture Leviathan, the comet that blinded him years ago and which is now on a trajectory that will bring it perilously close to earth. Astronomy being more exact than 19th-century marine navigation, things come quickly to a head.
Writing for the fun of writing. A treat for the reader.Pub Date: Sept. 1, 2007
ISBN: 0061131571
Page Count: 224
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2007
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
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