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STEAL THE MENU

A MEMOIR OF FORTY YEARS IN FOOD

Perhaps a bit too acidic for some tastes, but most foodies will find the book refreshingly different.

A knowledgeable look at the transformation of fine dining over the past half-century, viewed through the prism of the author’s personal history.

When Sokolov succeeded Craig Claiborne as food editor of the New York Times in 1971, he was unimpressed by the city’s ossified restaurant scene. Bolstered by “the ego of a child prodigy” (he was a National Spelling Bee contestant at age 10), Sokolov dismissed the fare at Manhattan’s established French restaurants as mediocre imitations of the authentic French cuisine he had savored while a Newsweek correspondent in Paris. Management rather liked the stir Sokolov made with his glowing review of a humble Sichuan restaurant attached to a New Jersey gas station; they were less enthusiastic about a survey of dog foods that Sokolov acknowledges sardonically spoofed his regular gig, nor did they appreciate the generally “anti-establishment and rhetorically flamboyant” tone of his work. Sokolov was fired in 1973, less than a year after his prescient Times column embracing the  nouvelle cuisine revolution being fomented in France by Paul Bocuse, Michel Guérard and the other Young Turks. In his fuller assessment here, Sokolov disdains the marketing of nouvelle cuisine as "the cuisine of modern, slim people," arguing that its true significance was as “a most elaborate system of culinary parody, punning and metaphor.” Readers unconvinced by this provocative claim may nonetheless enjoy the author’s braininess and brashness as he goes on to chronicle a freelance career that included a highly intellectual food column for Natural History magazine before he settled down for 19 years as editor of the daily arts page for the Wall Street Journal. Sokolov is equally stimulating on the “molecular gastronomy” of Ferran Adrià and other modernist chefs.

Perhaps a bit too acidic for some tastes, but most foodies will find the book refreshingly different.

Pub Date: May 14, 2013

ISBN: 978-0-307-70094-0

Page Count: 256

Publisher: Knopf

Review Posted Online: Feb. 17, 2013

Kirkus Reviews Issue: March 1, 2013

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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  • Kirkus Reviews'
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  • IndieBound Bestseller


  • National Book Award Winner


  • Pulitzer Prize Finalist

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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