by Rebecca Evans ; illustrated by Rebecca Evans ‧ RELEASE DATE: May 3, 2022
A hopeful, universal story about the power of friendship to dramatically improve the quality of everyday life.
A picture book set in China shows that loneliness can be overcome.
Liling, a young Chinese girl, and her parents have moved from the country to a busy city. Her mother and father work in a sewing factory and a can-making factory respectively. Without friends or school, Liling is lonely. The artwork’s grayscale palette reflects that bleak reality. Even the marketplace, with its “tables of rainbow fabrics,” is painted in muted blues and grays. The only bright spots in the illustrations are Liling’s red coat and, eventually, the bright yellow coat of Qiqi, a smiling girl whom Liling must devise ingenious methods to befriend since they live in different buildings. The motif of a Chinese dragon, a metaphor for courage, weaves in and out of the artwork and text. The hand-drawn pictures and handwritten notes that the two girls send each other are sparks of joy in Liling’s otherwise dull life. The Chinese hukou system that traps Liling and her family in poverty is explained in a brief glossary and in the pronunciation guide at the beginning of the book, but it is not the focus of the story. An author’s note and a five-item resource list at the back provide details for parents and teachers seeking more information. Inspired by her visit to Shanghai to adopt a child, Evans’ pencil and watercolor paintings of Chinese characters and scenes avoid insensitive stereotypes and respect Chinese culture. (This book was reviewed digitally.)
A hopeful, universal story about the power of friendship to dramatically improve the quality of everyday life. (Picture book. 3-7)Pub Date: May 3, 2022
ISBN: 978-0-593-18192-8
Page Count: 40
Publisher: Anne Schwartz/Random
Review Posted Online: Jan. 24, 2022
Kirkus Reviews Issue: Feb. 15, 2022
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by Sybil Rosen ; illustrated by Camille Garoche ‧ RELEASE DATE: March 16, 2021
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
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by Erin Guendelsberger ; illustrated by Elizaveta Tretyakova ‧ RELEASE DATE: Oct. 1, 2020
Sadly, the storytelling runs aground.
A little red sleigh has big Christmas dreams.
Although the detailed, full-color art doesn’t anthropomorphize the protagonist (which readers will likely identify as a sled and not a sleigh), a close third-person text affords the object thoughts and feelings while assigning feminine pronouns. “She longed to become Santa’s big red sleigh,” reads an early line establishing the sleigh’s motivation to leave her Christmas-shop home for the North Pole. Other toys discourage her, but she perseveres despite creeping self-doubt. A train and truck help the sleigh along, and when she wishes she were big, fast, and powerful like them, they offer encouragement and counsel patience. When a storm descends after the sleigh strikes out on her own, an unnamed girl playing in the snow brings her to a group of children who all take turns riding the sleigh down a hill. When the girl brings her home, the sleigh is crestfallen she didn’t reach the North Pole. A convoluted happily-ever-after ending shows a note from Santa that thanks the sleigh for giving children joy and invites her to the North Pole next year. “At last she understood what she was meant to do. She would build her life up spreading joy, one child at a time.” Will she leave the girl’s house to be gifted to other children? Will she stay and somehow also reach ever more children? Readers will be left wondering. (This book was reviewed digitally with 11-by-18-inch double-page spreads viewed at 31.8% of actual size.)
Sadly, the storytelling runs aground. (Picture book. 3-6)Pub Date: Oct. 1, 2020
ISBN: 978-1-72822-355-1
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: Aug. 17, 2020
Kirkus Reviews Issue: Sept. 1, 2020
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