by Rebecca Van Slyke ; illustrated by Mike Boldt ‧ RELEASE DATE: Aug. 10, 2021
Possibly a new nighttime favorite for both sides in the battle for bedtime.
If you are going to keep an alligator, you must understand these rules.
As the book opens, an adult man and woman, both Black, tell their alligator that toys must be put away; it’s time for bed. With a toothy grin, their alligator tells them alligators don’t do that. Their alligator points out a factoid in a book explaining alligators are nocturnal. The next request is that the alligator take a shower. It turns out that alligators do not take showers, as the shampoo can drip into their eyes. Alligators prefer baths…in the swamp. Alligators don’t wear pajamas (there’s no place for the tail), nor do they brush their teeth. However, they may wear special green nightshirts and accept help in brushing their 80 sharp teeth. Alligators also don’t care for stories about fluffy bunnies, but they may be persuaded to listen to something about alligators or maybe sharks. Alligators might lurk under covers, but no tucking in! And they may accept a kiss on the head. After all of that struggling, though, alligators (and small children…) might just drift off. Van Slyke’s tongue-in-scaly-cheek take on bedtime rituals may give the nocturnal resistance some fresh ideas, but it definitely makes for a fun settle-down story. Boldt’s bright illustrations make the most of the contrast between the remarkably serene human parents and their saurian charge right up to the last picture, of a smiling, slumbering human kid. They will elicit giggles as young listeners recognize themselves in each twist of resistance and expression of disdain. (This book was reviewed digitally.)
Possibly a new nighttime favorite for both sides in the battle for bedtime. (Picture book. 3-6)Pub Date: Aug. 10, 2021
ISBN: 978-1-250-21830-8
Page Count: 40
Publisher: Roaring Brook Press
Review Posted Online: June 15, 2021
Kirkus Reviews Issue: July 1, 2021
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by Mo Willems ; illustrated by Mo Willems ‧ RELEASE DATE: July 2, 2019
Yes, the Pigeon has to go to school, and so do readers, and this book will surely ease the way.
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All the typical worries and excuses kids have about school are filtered through Willems’ hysterical, bus-loving Pigeon.
Told mostly in speech balloons, the bird’s monologue will have kids (and their caregivers) in stitches at Pigeon’s excuses. From already knowing everything (except whatever question readers choose to provide in response to “Go ahead—ask me a question. / Any question!”) to fearing learning too much (“My head might pop off”), Pigeon’s imagination has run wild. Readers familiar with Pigeon will recognize the muted, matte backgrounds that show off the bird’s shenanigans so well. As in previous outings, Willems varies the size of the pigeon on the page to help communicate emotion, the bird teeny small on the double-page spread that illustrates the confession that “I’m… / scared.” And Pigeon’s eight-box rant about all the perils of school (“The unknown stresses me out, dude”) is marvelously followed by the realization (complete with lightbulb thought bubble) that school is the place for students to practice, with experts, all those skills they don’t yet have. But it is the ending that is so Willems, so Pigeon, and so perfect. Pigeon’s last question is “Well, HOW am I supposed to get there, anyway!?!” Readers will readily guess both the answer and Pigeon’s reaction.
Yes, the Pigeon has to go to school, and so do readers, and this book will surely ease the way. (Picture book. 3-6)Pub Date: July 2, 2019
ISBN: 978-1-368-04645-9
Page Count: 40
Publisher: Hyperion
Review Posted Online: May 7, 2019
Kirkus Reviews Issue: June 1, 2019
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by Kevin Jonas & Danielle Jonas ; illustrated by Courtney Dawson ‧ RELEASE DATE: March 29, 2022
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
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