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Journeys of Lightheartedness

A TALE OF TRAVEL & DISCOVERY

A solid set of reflections on the places that make a life.

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In these pleasant travel essays ranging from Patmos to Paris, Moore (How the DNR Stole Wisconsin, 2008) looks for the best in his destinations.

As an investigative reporter, Moore might be accustomed to pinpointing the worst characteristics of people and places. In this volume, however, his emphasis is on a positive attitude. “There is a certain giddiness to be derived in finding the exotic at home, and in uncovering home in the far-flung land,” he says. As proof of the latter: on a trip to Patmos, Greece, Moore unexpectedly ran into his in-laws. Even places that leave a bad first impression can be redeemed. For instance, Moore hated Paris when he first visited with a buddy in his youth, but he realized on a 2004 follow-up trip with his wife that universal French rudeness is an urban myth. The other six essays are U.S.–set, but what they lack in geographical breadth they make up for with topical variety. “New York Stories” uses Kant’s ambivalent adjective, sublime, to encapsulate 12 years of life experiences: attending games at Yankee Stadium, passing a movie set covered in fake snow, and surviving his son’s eventful birth epitomize the beauty, while a tiny apartment, a mugging, and the collapse of his first marriage account for the terror. After all, he says, “the sublime can be accompanied by terror it is so overwhelming.” Despite his wanderlust, Moore has always returned to the South. “Riding the Big Red to South Carolina,” an account of a long bus journey to his hometown, is the collection’s highlight, with excellent reconstructed dialogue and Bill Bryson–esque humor. Frustrated with stereotypes of “charming accents and good-ol’-boy mannerisms,” Moore concentrates on finding the “real” South. Lyrical descriptions of nature and an awareness of the past—prehistory onward—enliven an essay about Charleston and Edisto Island, while a then-and-now portrait of a North Carolina main street illuminates recent history. Two essays from the 1980s feel dated, with references to loading film and the Greek political situation. However, Moore’s general advice is sound: “If you want to see a place and meet the people, walk it.”

A solid set of reflections on the places that make a life.

Pub Date: Dec. 17, 2014

ISBN: 978-0990659303

Page Count: 258

Publisher: Highland House

Review Posted Online: April 29, 2015

Kirkus Reviews Issue: July 1, 2015

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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