In a startling departure from his earlier work, Powers turns inward for this fictional memoir: an astonishing novel of ideas that never becomes too talky, and is as complex in texture as his other books. The fictional "Richard Powers'' shares not only his creator's name but also his publishing history, which is given a self-effacing, surprisingly personal context here. As a humanist in residence at a science center in a large Midwestern university, "Powers'' finds himself at an emotional and creative impasse. With three much-admired novels under his belt, and a fourth (Operation Wandering Soul, 1993) in the final stages of preparation, "Powers'' reviews his recent long-term relationship that has ended badly and has left him skeptical of the purpose of fiction. Lonely and adrift, he falls under the spell of Dr. Philip Lentz, an obnoxious and arrogant cognitive neurologist who enlists "Powers'' in his half-baked scheme to teach a neural network to read and interpret a Master's reading list in English. Since "Powers' '' lover, "C,'' never felt adequate enough for her talented boyfriend—even as she nurtured his early novels, she drove him away. Now he has the chance to help develop his ideal mate—an artificial intelligence he calls Helen, his ideal woman whose synthetic voice is his constant companion through the bleak winter. Layering his past and present relations, "Powers'' recognizes his human failings, his unreconciled feelings for his dead alcoholic father (the spirit of Prisoner's Dilemma, 1988), and his ongoing struggle between the scientific studies he abandoned and the art for which he sacrifices a tranquil existence. When moments of tenderness intrude on his relentlessly cerebral life, he bemoans what will never be his. Hardly plot-driven but with each sentence carefully crafted, this profound meditation on poetry and physics, theories of epistemology, and literary hermeneutics also asks, amazingly enough, what it means simply to be human. (First printing of 25,000)
Pub Date: June 1, 1995
ISBN: 0-374-19948-5
Page Count: 384
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1995
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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