An affecting novel by a literary urbanologist in top form.
A group portrait of Harlem residents in the aftermath of a five-story tenement collapse in 2008 that mysteriously changes the life of a survivor.
Thirty-six hours after the event, workers pull from the rubble 42-year-old Anthony Carter, an unemployed biracial schoolteacher and recovering coke addict. In the days—and daze—that follows, he doesn’t find religion as much as it finds him in the form of a female prophet. Targeting him with her “raging aviary of disembodied howls and shouts,” she helps transform him into an unlikely motivational speaker and media star. But close observers, including young freelance photographer Felix Pearl, find something a bit off about Carter’s inspirational words, like he was “trying and failing to hold on to a rapidly dissolving fragment of a dream.” Police detective Mary Roe, who barely survived a calamitous elevator accident and is now obsessed with finding a missing survivor of the tenement collapse, doesn’t know what to make of Carter. And postal worker Anne Collins, who is instantly drawn to him after they lock gazes across an outdoor event, flees the relationship just as quickly. Price’s first novel since The Whites (2015)—a work of crime fiction written under the pen name Harry Brandt—shows off his usual mastery of urban life, including what a community activist calls “our Death-style,” embodied in the unforgettable image of a kid who “was eating Chinese right before he was shot and the pellets blew the white rice right out through his back.” But the author is mostly in a kinder and gentler mode, affectingly capturing the complicated domestic lives that help people cope in difficult times. For all the darkness in the novel with its 9/11 overtones, there’s a sense of transcendence in the Harlem community’s shared experience and survivors’ spirit.
An affecting novel by a literary urbanologist in top form.Pub Date: Nov. 12, 2024
ISBN: 9780374168155
Page Count: 352
Publisher: Farrar, Straus and Giroux
Review Posted Online: July 10, 2024
Kirkus Reviews Issue: Aug. 15, 2024
PERSPECTIVES
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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