In this engaging novel, the author wields dynamic characters and intelligent prose like a skilled surgeon’s instruments.
In Van Anderson’s (The Final Push, 2013) medical thriller, an ex-surgeon is coerced into harvesting organs from unwilling patients.
It’s been a couple of years since Dr. David McBride lost his medical license due to the misdeeds of his mentor, Dr. Andrew Turnbull. Now he’s barely scraping by at a research lab while caring for his father, who has dementia, and his pregnant wife. David gets an offer from the enigmatic Mr. White regarding a plan involving buying and selling organs. The wary doctor agrees, once White threatens his wife, and he’s shocked to learn that the people who are “selling” kidneys are drugged homeless men who are anything but volunteers. As the baddies monitor him, he tries to find a way to track the organs to the implanting surgeon, unaware that the guilty party is Dr. Turnbull—the man who essentially ruined his own medical career. Although Van Anderson establishes the good and bad guys early, he presents neither side in easily definable terms. David, for example, is initially sympathetic, due to his sad family and financial situations, but some of the things he does, particularly near the story’s end, are morally questionable. Turnbull, meanwhile, may employ unsavory means, but he’s trying to fund his company, NuLife, which could eliminate transplant waiting lists. White’s motivation is almost admirable; indeed, it’s one of the few details readers learn about the man. Later, the story adds Detective Kate D’Angelo to the mix, and her presence causes tension when David is forced to run from both the cops and White’s thugs. The story incorporates David’s medical background well, such as when he professionally assesses his own injuries after villains shoot at him. The author, a former heart surgeon, weaves medical jargon expertly into the text, although readers may be unfamiliar with some unexplained terminology during David’s surgeries.
In this engaging novel, the author wields dynamic characters and intelligent prose like a skilled surgeon’s instruments.Pub Date: Nov. 17, 2014
ISBN: 978-0990759706
Page Count: 292
Publisher: White Light Press
Review Posted Online: Jan. 19, 2015
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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