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WHY I CAME WEST

A MEMOIR

“I never wanted to go to war,” he concludes. “And the war, I realize, will never end.” A welcome summation of Bass’s work to...

A nuanced blend of autobiography and environmental advocacy by the well-known novelist and short-story writer.

Bass (The Lives of Rocks, 2006, etc.) laments that the hard work of saving his home turf, the Yaak Valley of northwestern Montana, has kept him from novel and short-story writing. “I used to be a fiction writer,” he says. “I loved that craft, that calling. I’ve had to all but abandon it, to speak out instead for another thing I love now just as much as language—the woods. These woods.” But that’s getting ahead of the story a touch, which opens with his discovery of that remarkable landscape, at 1,300 feet a comparative lowland against the nearby Rocky Mountains, its geological history accounting for its extraordinarily dense and diverse carpet of all-devouring greenery. That quality, Bass writes, reminded him and his wife instantly of their native South, where he had been working as a geologist for years while plotting an escape to some undiscovered paradise. Topping a mountain pass and looking down at the Yaak was love at first sight, and much of Bass’s nonfiction work of late has constituted a song of love for that land. He will turn away some environmentalist allies by his defense of hunting, which is modest and well reasoned: “In the Yaak, everything eats meat and everything is in motion, either seeking its quarry or seeking to keep from becoming quarry.” Against a local economy that is extractive and colonial—nearby Libby being ground zero for a particularly deadly form of environmental destruction—Bass’s willingness to live on renewable resources he has to work for is refreshing, even as he acknowledges the “impurity” attendant in being a human in a time of ecological crisis.

“I never wanted to go to war,” he concludes. “And the war, I realize, will never end.” A welcome summation of Bass’s work to date, and a call for action.

Pub Date: July 3, 2008

ISBN: 978-0-618-59675-1

Page Count: 250

Publisher: Houghton Mifflin Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2008

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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  • IndieBound Bestseller


  • National Book Award Winner


  • Pulitzer Prize Finalist

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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