The literary sensibility speaks more broadly to the human condition, as the author relates the particularities of his own...
Sweet and sad but generally tender vignettes about a poet/professor’s coming-of-age as a gay Mexican immigrant.
González (English/Rutgers-Newark; Mariposa Gown, 2012, etc.) revisits some of the same territory as his American Book Award–winning Butterfly Boy: Memories of a Chicano Mariposa (2006), though this is not a flowing narrative but more like a scrapbook of short pieces, both prose and poetry, few of them longer than a page. As the title suggests, “hunger” provides the thematic thread, not only for food (his family was poor) and later for sex, but also for identity, connection and acceptance. “I was afraid of my hungry gay body,” he writes, though he didn’t realize his sexual orientation until his experiences with an early girlfriend made it obvious to her and to him. His father had mocked him because he was fat, gentle and nonathletic. A Christmas photo spurs memories of his impoverished upbringing that remind him of many others: “At the time of the photograph, I didn’t notice the tree going hungry in the back, its plastic branches spaced apart like bones on a ribcage. The tinsel drooping like strings of saliva. An anemic rosary of Christmas lights. My brother and I knelt in front of the tree, our striped shirts compensating for the dearth of gifts beneath it.” Later, he writes with writerly self-importance of his life as an author: “ ‘What do you write about?’ he asked, and I answered, quite simplistically, ‘Life,’ offering the man I was going to sleep with that night a bouquet of yellow flowers instead of thorns had I admitted, more truthfully, ‘Death’ or ‘Violence’ or ‘Pain,’ as in the horrors that writers will inflict on people who ask for them.”
The literary sensibility speaks more broadly to the human condition, as the author relates the particularities of his own experience through shards of memory.Pub Date: May 6, 2013
ISBN: 978-0-299-29250-8
Page Count: 128
Publisher: Univ. of Wisconsin
Review Posted Online: March 2, 2013
Kirkus Reviews Issue: March 15, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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