An entertaining occult thriller that mixes captivating magic with bracing psychological realism.
An American kid travels back in time to an ancient society while his family fruitlessly searches for him in Halbert’s historical fantasy adventure.
It’s 2010, and the Keane family—mom Lyana, historian dad Ian, snarky teen daughter Ariel, and son Zach, a neurodivergent boy who obsessively counts things—are ensconced in a spooky old Tudor house in Littleton, Massachusetts. One night, Zach starts climbing the staircase and somehow ends up in an ancient society, where he befriends Akolo, a young boy brought to the city by the king after his village was raided. The king also brought back a chest. The two boys have ouroboros-shaped amulets that glow prettily near the chest, and the voice of God duly pronounces them “servants.” (Zach also miraculously gains the ability to speak the native language.) The king wants Zach and Akolo to harness the chest’s power for him, and is delighted when Zach figures out that objects placed beside the chest during a lunar eclipse—a blood moon—become imbued with divine mojo. Meanwhile, as months go by, the distraught Keanes refuse to entertain the likelihood that Zach is dead. Ian pursues seemingly unhinged theories regarding his disappearance while Lyana perceives whispering voices and unsettling visions of a blood-drenched girl. Their suspicions fall upon Marshall, the house’s informal caretaker, who lives in a cabin filled with rare ancient books and has an ouroboros tattoo; their misgivings heighten when Ariel discovers a photograph of him from the 1800s. Zach is working from his end to find a way back to the 21st century before the king takes him and Akolo back to Akolo’s village to help rebuild the temple, which will sever Zach’s access to the time-travel portal.
In this second installment of their Goodpasture Chronicles series, husband-and-wife authors Jason and Rhonda Halbert (writing under the pen name R.J. Halbert) create a richly textured portrait of an ancient society. Zach adroitly navigates palace intrigues, the king’s despotic whims, and the potentially fatal chest, portrayed by the Halberts in punchy, mordant prose. (“The sound was a muffled scream, as if the man was being strangled,” they write of a soldier forced to approach the chest as an experiment. “Akolo leaned forward to get a better look, then wished he hadn’t when he saw the man’s face—it was white as a tunic and frozen in fear. This man was dead.”) The contemporary branch of the narrative is a tense study of a family disintegrating under pressure, then struggling to regroup, written in evocative prose that strips bare the characters’ weaknesses and comforting delusions. (“Some of his best academic insights had come with a glass in his hand, the whiskey warming his thoughts until patterns emerged from chaos,” Ian tells himself as he hits the bottle. “Just one, he rationalized, already rising from his chair. Just enough to think clearly. For Zach.”) The result is a page turner with real literary depth.
An entertaining occult thriller that mixes captivating magic with bracing psychological realism.Pub Date: yesterday
ISBN: 9781963366099
Page Count: 266
Publisher: SmallPub
Review Posted Online: Nov. 8, 2025
Review Program: Kirkus Indie
BOOK REVIEW
Maybe not the most thrilling thriller, but the role of AI in coping with grief gives this novel pathos and interest.
A widowed and disgraced plastic surgeon is drawn into a Russian oligarch’s evil schemes.
Witherspoon’s adult fiction debut, co-authored with thrillermeister Coben, opens as heart surgery performed by Dr. Marc Adams in a North African refugee camp is interrupted by the explosive invasion of armed militants. It's the last we will see of Marc in this dimension. The next chapter jumps ahead one year to a ceremony at Johns Hopkins University in Baltimore where his widow, Maggie McCabe, is supposed to be presenting an award in honor of her mother. Miserable and anxious about appearing in public after having lost her medical license, she consults with her late husband on her phone—not via supernatural means, but using a "griefbot," an amazingly lifelike and functional AI app created by her genius sister, Sharon. Once the griefbot coaxes her to brave the sneering masses, she learns she’s been replaced on the podium anyway. But she runs into a former professor, a celebrity plastic surgeon, who requests a meeting with her at his office in New York and won’t take no for an answer. Next thing she knows, there’s $10 million in her bank account and she’s on a private plane heading to a palace outside Moscow where she’s been engaged to perform off-the-record surgery on billionaire Oleg Ragoravich (new face) and his girlfriend, Nadia (new boobs). And…we’re off. A whirl of surgeries, chases, and escapes ensues as Maggie gradually comes to understand who these people are and what they have in mind for her, and how it connects to Marc and their missing friend and business partner, Trace Packer. She is aided by her delightful father-in-law, Porkchop, owner of a biker bar in New York City and a very handy guy to have on your team if you've run afoul of an international criminal organization. From the palace in Rublevka the action moves to Dubai and then Bordeaux, climaxing in a high-stakes illegal heart transplant. But wait—is Marc really dead? What happened to Trace? Who is Nadia really? Though these smoldering questions don’t quite catch fire, it's a good first try for Witherspoon.
Maybe not the most thrilling thriller, but the role of AI in coping with grief gives this novel pathos and interest.Pub Date: Oct. 14, 2025
ISBN: 9781538774700
Page Count: 352
Publisher: Grand Central Publishing
Review Posted Online: Oct. 15, 2025
Kirkus Reviews Issue: Dec. 1, 2025
SEEN & HEARD
SEEN & HEARD
Fast-moving and disturbingly plausible.
Robots may be the future of warfare in this final father-son DeMille collaboration.
In Camp Hayden, Army Maj. Roger Ames is found dead, his skull crushed. Chief Warrant Officers Scott Brodie and Maggie Taylor, special agents of the United States Army Criminal Investigation Division, are sent to the Mojave Desert, “a.k.a. in the middle of nowhere,” to investigate. In this fictional military installation, Army Rangers conduct field training exercises with lethal autonomous weapons. These “dangerous new toys,” nicknamed “tin men,” may become the future of warfare if they can be programmed to distinguish between friend and foe. Anyway, the Rangers’ job is to train the tin men, not the other way around. They are AI-driven robotic prototypes called D-17s, but even prototypes can kill. Did a bot kill the major? And was there criminal liability or intent, or was it a tragic accident? Brodie and Taylor discover that not everyone loves these beasts, and they must find out if humans are programming them for mischief or even trying to set up the program for failure. Meanwhile, the bots have nicknames. Bot number 20 is Bucky, seen on a video as a “seven-foot-tall titanium machine with hands covered in blood and brain matter” that has “a face but no eyes, with hands but no skin, with a body but no soul.” As scary as these beasties are, Brodie and Taylor must also look at the humans at Camp Hayden, because they learn that the “machines don’t have motives….They have inputs and outputs,” which naturally come from human programmers. They have neither brains nor courage nor honor; they do have brute force, speed, and agility. Obviously, plenty goes haywire in this enjoyable yarn. It feels a bit too believable for comfort, and that’s to the DeMilles’ credit as storytellers. Nelson DeMille had begun this project with his son Alex, who had to finish it alone after his father’s death.
Fast-moving and disturbingly plausible.Pub Date: Oct. 28, 2025
ISBN: 9781501101878
Page Count: 384
Publisher: Simon & Schuster
Review Posted Online: July 19, 2025
Kirkus Reviews Issue: Aug. 15, 2025
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