by Roald Dahl ‧ RELEASE DATE: Dec. 1, 1984
Throughout my young days at school and just afterwards a number of things happened to me that I have never forgotten. . . . Some are funny. Some are painful. Some are unpleasant. I suppose that is why I have always remembered them so vividly." Vividly indeed: with the intimate, confiding tone of a born storyteller, Dahl turns each of his family/school memories into a miniature adventure, thriller, or horror-story—with the earthy emphasis on pleasure (food, comradeship), fear, and pain. After a brief, charming slice of family-history, explaining how his Norwegian parents came to live and prosper in Wales, Dahl gets right down to business. From the years at Llandaff Cathedral School (ages 7-9, 1923-25), there's a candy-by-candy tribute to the local sweet-shop, site of "The Great Mouse Plot": Roald and friends, fed up with the meanness of filthy sweet-shop-owner Mrs. Pratchett, secretly put a dead mouse in the Gobstopper jar—but suffered mightily for their glorious prank. (Mrs. P. reported the crime to the Headmaster—unleashing the first of many school-career canings, all described in gruesome, technicolor detail.) Summer vacations in Norway are also recalled in a mixture of ecstasy—the fish, the scenery—and agony: an operation for adenoid removal without any anesthetic. And the extremes of pleasure and pain continue through Dahl's years at two English boarding schools: homesickness, sadistic Matrons and Masters, practical jokes, the indignities of "fagging" (warming up the toilet-seat for older boys), chocolates. . . and, always, the dreaded Headmaster's cane. ("By now I am sure you will be wondering why I lay so much emphasis upon school beatings in these pages. The answer is that. . . I couldn't get over it. I never have got over it.") Some readers may be put off by Dahl's style here—chatty, bedtime-story-ish, deceptively avuncular. Others might not take to the British references (no special explanations for a US audience), or the particularly British approach—full of bitter humor and odd relish—to grisly, gory matters. But those who've appreciated Dahl in various forms will find both the master of chills and the lover of chocolate here—in a fine, juicy collage of funny/awful boyhood highlights.
Pub Date: Dec. 1, 1984
ISBN: 0374373744
Page Count: -
Publisher: Farrar, Straus and Giroux
Review Posted Online: Oct. 16, 2011
Kirkus Reviews Issue: Nov. 15, 1984
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developed by Roald Dahl ; illustrated by Quentin Blake
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by Tomie dePaola ‧ RELEASE DATE: April 1, 1999
The legions of fans who over the years have enjoyed dePaola’s autobiographical picture books will welcome this longer gathering of reminiscences. Writing in an authentically childlike voice, he describes watching the new house his father was building go up despite a succession of disasters, from a brush fire to the hurricane of 1938. Meanwhile, he also introduces family, friends, and neighbors, adds Nana Fall River to his already well-known Nana Upstairs and Nana Downstairs, remembers his first day of school (“ ‘ When do we learn to read?’ I asked. ‘Oh, we don’t learn how to read in kindergarten. We learn to read next year, in first grade.’ ‘Fine,’ I said. ‘I’ll be back next year.’ And I walked right out of school.”), recalls holidays, and explains his indignation when the plot of Disney’s “Snow White” doesn’t match the story he knows. Generously illustrated with vignettes and larger scenes, this cheery, well-knit narrative proves that an old dog can learn new tricks, and learn them surpassingly well. (Autobiography. 7-9)
Pub Date: April 1, 1999
ISBN: 0-399-23246-X
Page Count: 58
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1999
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by Robert Burleigh & illustrated by Raúl Colón ‧ RELEASE DATE: Feb. 19, 2013
An artful and inspiring effort.
Burleigh weaves imagination and information to sketch the life of a female scientist and illuminate her achievements.
Henrietta Swan Leavitt, born in 1868, was a graduate of Oberlin and of the school that would become Radcliffe. Her interest in astronomy led her to work for many years in the Harvard Observatory. Although women were prevented from taking part in many facets of academic exploration, Leavitt made a major discovery within the parameters of her assigned work. Though little is known of his subject’s life, Burleigh posits an early interest in the stars that may help to engage young listeners. The conversational text moves quickly, taking readers from dreamy child to dedicated researcher. Sophisticated vocabulary and complex concepts, as well as the variety of supplementary information Burleigh provides, from quotations about the stars to brief information about other female astronomers, suggest that this would be most useful as supplemental material in a science curriculum. Colón’s watercolor, pen and pencil illustrations extend the text as, for example, when the sideways glances of Leavitt’s college peers effectively convey just how unusual her interests and accomplishments were for the time. They also capture the fascination and beauty of starlight, which seems almost to twinkle at times. The current educational emphasis on science, technology, engineering and math (aka STEM) will likely increase interest in biographies about women’s achievements in these fields.
An artful and inspiring effort. (quotations, afterword, author’s note, glossary, Internet resources, bibliography) (Picture book/biography. 7-9)Pub Date: Feb. 19, 2013
ISBN: 978-1-4169-5819-2
Page Count: 32
Publisher: Paula Wiseman/Simon & Schuster
Review Posted Online: Dec. 25, 2012
Kirkus Reviews Issue: Jan. 15, 2013
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by Robert Burleigh ; illustrated by Wendell Minor
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