Takes its time getting started, but once the story’s finally underway, readers will need a deep breath before taking this...
In Blanchard’s debut action novel, a U.S. Naval test pilot travels to Europe and, among his father’s inheritance, uncovers evidence of a Nazi device that the Nazis still desperately want.
Lt. Cmdr. Max DuMonde learns that his father, Thomas, who Max believed was killed in action years ago in Vietnam, died just recently in 2010. Thomas left his son a wealth of items, including classic, restored aircraft, but it’s German documents that bring Nazis to Max’s door. Apparently, near the end of World War II, the Nazis had developed a machine capable of generating a “dark gate,” which reputedly could create a fourth dimension. The SS in the 21st century hopes to complete the project, and they’re willing to do whatever it takes. Blanchard’s book utilizes its historical setting to great effect; though the bulk of it takes place in 2010, it opens with Marines—led by Maj. Dean DuMonde, Max’s grandfather—battling German soldiers in 1945 and even spends some time in the Colombian jungle with Thomas in ’66, where he stumbles upon the much-desired Nazi paperwork. Blanchard reverently details the planes that Thomas restored, such as the Storch, a German WWII plane, as well as the weaponry used in action sequences. Nevertheless, scenes such as Max testing the aircraft and trekking to the French Alps to spread his father’s ashes (and where he encounters a German family, most significantly his eventual love interest, Solange) seem to put the plot on hold; it’s nearly the halfway point when Nazis finally show up, demand at least part of Max’s inheritance and kidnap Solange. But once Max and his allies, including his Navy SEAL pal Val Vittoria, track down the villains to a castle near the Swiss border, the story becomes a nonstop, exhilarating barrage of gunfights and explosions. The particulars of what the Nazi device does aren’t fully revealed until near the end, and it’s quite a surprise. Blanchard rounds out his novel by adding suspense—there’s a traitor in the States who’s helping spearhead an operation to bring Max and company back home—and a smashing ending that sets the stage for a sequel.
Takes its time getting started, but once the story’s finally underway, readers will need a deep breath before taking this exciting ride of bullet-laden action.Pub Date: Dec. 15, 2013
ISBN: N/A
Page Count: 316
Publisher: CreateSpace
Review Posted Online: Feb. 25, 2014
Review Program: Kirkus Indie
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
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