Crais spikes this predictable, foolproof yarn with so many surprises and such a masterly command of pace that you’ll find...
After eight entertainingly laid-back mysteries starring Elvis Cole (L.A. Requiem, 1999, etc.), Crais tightens the screws to the max in this white-hot crossover thriller about a cop on the trail of a serial bomber.
Three years ago, Carol Starkey was abruptly retired from the LAPD’s Bomb Squad by an explosive that killed both her and her supervisor/lover. She was brought back to life after two minutes of flatlining; he wasn’t. Now that she’s working at Criminal Conspiracy, she’s the obvious choice to head the investigation when a bomb kills her old colleague Charlie Riggio. And even though her own ordeal left her dead in more ways than one, she’s a terrific choice, too, because right from the start she makes things happen. She realizes that the bomb must have been detonated by remote control, and that the killer must therefore have been on the scene. When ATF agent Jack Pell links the murder to half a dozen earlier bombings-for-hire and assassinations of explosives experts, she joins forces with Pell in an uneasy romance that keeps the case in the LAPD corral. And, inevitably, she finds herself online with Mr. Red, the gleefully self-advertising bomber obsessed with making the FBI’s Ten Most Wanted list (and evidently imitating his fictional model Hannibal Lecter). But not all Starkey’s calls turn out golden, and one of them sparks a shocking plot twist that brings the globe-hopping Mr. Red, who’d been perfectly happy killing people in faraway jurisdictions, back to the City of Angels. Soon enough, Starkey’s been frozen out of the case, forced to go up against Mr. Red with only Pell for backup.
Crais spikes this predictable, foolproof yarn with so many surprises and such a masterly command of pace that you’ll find yourself checking the clock every ten pages. Make sure it’s not digital.Pub Date: April 1, 2000
ISBN: 0-385-49584-6
Page Count: 384
Publisher: Doubleday
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: March 15, 2000
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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