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THE WAKE-UP

Sharp, fast, and slick. Ferrigno (Scavenger Hunt, 2003, etc.) can read like Raymond Chandler on speed, with pages turning...

A mysterious Special Ops fixer makes the mistake of taking his job too personally.

Frank Thorpe, an army vet who was booted from Delta Force for starting a civil war in South America, knows how to get things done and doesn’t mind bending the rules. After Delta, Frank went to work for a “shop,” a shadowy private task force that did jobs the government couldn’t afford to take on itself. The shops don’t exactly play by Marquess of Queensbury rules, but Frank was a loose cannon even by their standards, and one of them let him go after he botched a technology-smuggling sting and got one of his comrades killed. Shell-shocked and unemployed, he wanders aimlessly about LA until one day he sees a Mexican peddler manhandled at the airport by a pompous businessman. Outraged, he calls on his undercover contacts to track down the bully, who turns out to be a Newport Beach art dealer named Doug Meachum. Frank then poses as a State Department art-smuggling rep and tells one of Meachum’s customers that the priceless Mayan artifact Meachum sold her is a fake. The customer, a social-climbing drug dealer named Missy Riddenhauser, goes ballistic and sends her sociopathic brother Cecil off to whack the bitchy gossip columnist who exposes the “fraud” in a local paper, and the whole affair kind of snowballs from there. Frank, meanwhile, is still trying to track down the engineer who blew his IT sting and killed his partner. All his friends in the shops tell him the same thing: Revenge is bad for business, a waste of time, and too dangerous for a smart guy to bother with. They’re right. But Frank, who believes in loyalty and justice, has some serious gaps in his education.

Sharp, fast, and slick. Ferrigno (Scavenger Hunt, 2003, etc.) can read like Raymond Chandler on speed, with pages turning and adrenaline pretty high throughout.

Pub Date: Aug. 3, 2004

ISBN: 0-375-42249-8

Page Count: 272

Publisher: Pantheon

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2004

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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