Though it often reads like an extended society gossip column, the narrative is studded with enough trivia and name-dropping...
Journalist and screenwriter Greenfield (Exile on Main St.: A Season in Hell with the Rolling Stones, 2006, etc.) pens a eulogy for the 1960s with his portrayal of the ascent and downfall of two upper-class wanderers.
Descended from old money, 20-somethings Susan “Puss” Coriat and Tommy Weber lived off their trust funds, rubbing elbows with Britain’s elite as they discovered their callings—Tommy as a race-car driver, Puss as an actress. By 1964, the couple was married with two baby boys, and they soon fell into the drug experimentation of the mid-’60s. On a trip to the Greek islands with her children in tow, Puss suffered a schizophrenic episode. With her institutionalized, Tommy took charge of the children, soon befriending Keith Richards and staying with the Rolling Stones in France during the recording of Exile on Main St. It was the peak before the fall for both the ’60s and the lives of Puss and Tommy. By 1971, heroin and cocaine became the mainstays of a scene once limited to LSD and marijuana, and Tommy fell into heavy abuse. Puss, as happened with more than a few of the “European hippie jet-set scene,” committed suicide. Tommy then couch-surfed around Europe with his children, hanging out with stars and scammers, even cooking up plans to free Timothy Leary, then a fugitive in Switzerland. Fast-forward a couple decades. Son Jake became a well-known actor, starring in NBC’s Medium, while Charley became a musician and Web designer. After abusing his body for decades, Tommy died in 2006. To sum up the turbulent decade, the author visited Puss’ grave, writing that, along with her physical remains lies “the spirit of an age long since gone, a moment in time when those engaged in a grand social experiment did everything they could to break free from all constraints.”
Though it often reads like an extended society gossip column, the narrative is studded with enough trivia and name-dropping to engage ex-hippies and other fans of ’60s culture.Pub Date: May 15, 2009
ISBN: 978-0-306-81622-2
Page Count: 320
Publisher: Da Capo
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 15, 2009
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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