Tautly gripping, with vividly malevolent characters and some excellent historical color.
A Civil War whodunit by former US congressman and second-novelist Mrazek (Stonewall’s Gold, 1999) describes a combat veteran’s 1863 quest for a prostitute’s murderer.
John “Kit” McKittredge is a Harvard senior when the Civil War breaks out, and he enlists with patriotic fervor. Commissioned as a lieutenant, Kit sees action early, leading a platoon at Ball’s Bluff. Wounded in the stomach, Kit is soused with laudanum by doctors who (lacking antibiotics) fully expect him to die within days. Incredibly, he survives, though not without gaining a solid addiction. In recognition of his valor, the army offers him a noncombatant post, assigning him to the Provost Marshall’s office, responsible for investigating crimes and corruption. There’s plenty of both, for the unprecedented war budget has brought every species of swindler, embezzler, and common thief to Washington, D.C., along with more whores than Baptists and a government staffed by cutthroat opportunists who could make Machiavelli blush. On his first assignment, investigating war profiteers who supplied defective artillery to the army, Kit is bluntly warned (first by a mysterious stranger, then by a congressman) not to dig too deep if he knows what’s good for him. Undeterred, he presses on but is soon diverted by the murder of an unknown woman last seen publicly at the birthday party of the notoriously debauched General Hooker (his name already synonymous with prostitution). As Kit looks into case, he finds that the victim (a prostitute named Anya Hagel) had a number of unsettling connections to some very prominent members of the government. He also finds that General Hooker has taken an interest in Kit’s career, inviting him to join his staff and introducing him to prominent military and political figures. If this is the carrot, what is the stick? Well, there’s the inconvenient matter of Kit’s opium addiction—and his bad luck in falling in love with Amelie, a prostitute who used to work with Anya.
Tautly gripping, with vividly malevolent characters and some excellent historical color.Pub Date: April 1, 2003
ISBN: 0-312-30673-3
Page Count: 336
Publisher: Dunne/St. Martin's
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Feb. 1, 2003
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.
Hunter’s debut novel tracks the experiences of her family members during the Holocaust.
Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.Pub Date: Feb. 14, 2017
ISBN: 978-0-399-56308-9
Page Count: 416
Publisher: Viking
Review Posted Online: Nov. 21, 2016
Kirkus Reviews Issue: Dec. 1, 2016
BOOK TO SCREEN
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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