Hard knocks in the high desert. Crazy luck—or coincidence—marks this squeaky desert romance.
Waller’s nostalgic, low-strumming latest novel (after High Plains Tango, 2005) is a wispy distillation of several hard-bitten voices scratching out a living in the Texas desert.
In one long, decisive night in the high desert of Guapa Mountain, not far from the Mexican border, Waller’s various gun-slinging, plainspoken characters will converge at the Clear Signal, Texas, ranch called the Two Pair, purchased some years before in a card-game bluff by the aging professional gambler Winchell Dear. At the housekeeper’s adobe near the main house, a coyote—a Mexican runner of contraband, in this case, drugs—makes his drop through Sonia Dominguez’s window, watched from a distance outside by the longtime Indian squatter on the ranch, Peter Long Grass. Peter senses impending trouble this night, as does Winchell, sitting up playing solitaire in the main house, and reminiscing quietly about ladies of yore. Meanwhile, trouble indeed approaches, in the form of two L.A. hit men with a hand-drawn map targeting Sonia’s house; like fish out of water, the city-slickers wear expensive suits and ride in a cream-colored Lincoln Continental with an arsenal of guns taped to its underside. And lastly, there’s the diamondback rattler making its deadly circle of the property. “So the high-desert night began to play itself like an old Victrola song,” the narrator sighs. Waller manages to keep the action percolating for such a slender affair, and dips into the backstories of the motley protagonists with sentimental glee. As a teenager, Winchell was destined to become a gambler by sanction of his father, a disgruntled border patrolman; Peter has grown disillusioned with the American Indian Movement after the “mess up” at Wounded Knee; and Sonia has endured a tough, lonely life since she emigrated at 15 and had to give up her son.
Hard knocks in the high desert. Crazy luck—or coincidence—marks this squeaky desert romance.Pub Date: Nov. 14, 2006
ISBN: 0-307-20996-2
Page Count: 160
Publisher: Shaye Areheart/Harmony
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2006
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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