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THE MEMOIRS OF A BEAUTIFUL BOY

Extravagantly solipsistic.

Hothouse recollections of growing up gay.

Now 27 and a creative-writing teacher in the New York City public schools, the author was reared in Petunia, Texas. Abandoned by his father on the family ranch with just a Jaguar convertible for transportation, Mother took young Robert to Nieman Marcus in nearby Houston every Saturday to get their hair and nails styled. Mother, a unique personality as her son remembers her, was more luridly glitzy than Mame and more maliciously avaricious. (Her favorite movie: Breakfast at Tiffany’s.) Early on, young Robert displayed a heightened sensitivity superior to those of his drab neighbors in their dreary houses. He made clever comments regarding gents in tacky sans-a-belt pants. He was partial to Liza Minnelli, Dina Merrill and—though he was surely prettier—Lillian Hellman. Clearly, here was the next Capote. Despite those Neiman Marcus Saturdays, his gay leanings were apparently unknown to Robert until, at 17 and still in high school, he met dancer Michael, the love of his life. (The couple now lives in New York). The author’s slightly histrionic recollections contain over-the-top set pieces regarding his evangelical school, Mother’s hair treatment (she winds up with a cheap wig glued to her bald head) and her impromptu boob and lip augmentations. The text is lush with simile, verdant with metaphor and generally permeated with writerly flair. Though the author calls it a memoir, it reads more like a comic novel with considerable theatrical panache. Addressing his readers as “mes petites,” the beautiful boy frequently seems to speak to a special audience.

Extravagantly solipsistic.

Pub Date: Jan. 1, 2008

ISBN: 978-0-312-36168-6

Page Count: 288

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 2007

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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  • Pulitzer Prize Finalist

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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