Brutal, tender and magnificent.
A veteran soldier battles for survival in another meditative, beautifully written novel from Olmstead (Coal Black Horse, 2007, etc.).
The story begins in the summer of 1916, a few months after Pancho Villa’s attack on Columbus, N.M. Officer Napoleon Childs has led a U.S. Army expedition deep into the Mexican desert in pursuit of this chimerical figure. The sun is punishing, the landscape is daunting and chasing the spookily elusive Villistas is beginning to show on Napoleon’s men. Olmstead is wondrously attuned to the natural world and the realities of war; he uses sand, heat and distant mountains as a stage set, and his narrative unfolds with all the formal rigor of a Greek tragedy. The sense of pageantry is enhanced by the fact that while cavalrymen with rifles and bayonets pursue a bandoliered revolutionary in the Americas, a new kind of warfare is being invented in Europe. The futility of this particular mission, Napoleon is aware, mirrors the more general futility of a soldier’s life, but he is sanguine about his vocation until his company loses a savage fight that never should have happened. Pulled from among the dead, he watches a fellow survivor tortured and killed by a band of rebels whose bloodthirsty female leader spares Napoleon so he can “tell the others what happened here.” Now he must stay alive until his brother and their comrades can find him. The journey he takes recalls that of Coal Black Horse’s protagonist, with the vital difference that Robey was young, while Napoleon is old. When Robey came home from the battlefields of the Civil War, he rejoined the deep, mysterious stream of life; he had hope and a future. For Napoleon, the return to life is a return to the past and, finally, a return to war. The spectacle Olmstead presents is not a pretty one, and its consolations are only for the strong and clear-minded. But the beauty and power of his prose will keep most readers from looking away.
Brutal, tender and magnificent.Pub Date: May 26, 2009
ISBN: 978-1-56512-592-6
Page Count: 224
Publisher: Algonquin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2009
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Suspenseful, full of incident, and not obviously necessary.
Atwood goes back to Gilead.
The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.
Suspenseful, full of incident, and not obviously necessary.Pub Date: Sept. 10, 2019
ISBN: 978-0-385-54378-1
Page Count: 432
Publisher: Nan A. Talese
Review Posted Online: Sept. 3, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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