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A PLACE TO COME TO

If you stop and think about Robert Penn Warren's most ambitious novel in years (Instead of going right on reading it), the two central characters don't really carry it: namely Jed Tewksbury with his identitylessness; or the hedonistic, sluttish Rozelle whom he loves for most of his life—who's right out of the same Alabama small town of Frank Yerby. There's a strong and eye-catching opener when Jed's "booze-bit" father dies, pissed and pissing on a mule. This confirms his mother's decision to make Jed leave this sumphole—"git what's to git, then git." Jed gits, on to a small college, then graduate school in Chicago where, with the sponsorship of a refugee scholar, he works on his important paper dealing with Dante's metaphysic of death. Will it be the death warrant of the quiet girl he marries? (A gentle double take here.) After that Jed goes to Nashville to teach and enters into the long carnal conjunction with Rozelle, Rozelle always on the make and the take. Jed finally shucks his enslavement to her when he learns of her possible complicity in her sick husband's drowning. In the uncertain years that follow, he is seen married, a father, divorced, in Europe where Rozelle (now with a black swami) turns up briefly, and finally returning to his mother's grave in the hope of finding his "final self, long lost." After all, he had never known "happiness, only excitement." These are, after all, unoriginal ideas which do not lend any distinctive heft to Warren's unfashionable, overt itinerary.

Pub Date: March 14, 1977

ISBN: 0440359996

Page Count: 404

Publisher: Random House

Review Posted Online: Oct. 6, 2011

Kirkus Reviews Issue: March 1, 1977

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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