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THE KING OF CARDS

Back in Baltimore to pick up an honorary Ph.D. from his alma mater, Calvert College, novelist Tom Fallon recalls the wild year of 1965, when he wriggled out from under the patronage of elitist Professor Sylvester Spaulding and came under the spell of Jeremy Raines—con artist, lunatic, and entrepreneur—and the inmates of his communal house.... Jeremy is the inventor of the Identi-Card, a photo ID he markets to area colleges, with consistently maladroit results: the photos are misframed, or matched with the wrong names, or melted in the laminating machine. But charismatic Jeremy, ever in search of new funding, inveigles his loyal housemates—a Baltimore Brando, Eddie Eckel; health-food nut Babe McCallister; Sister Lulu Hardwell; and self-styled Beat poet Val Jackson—into shouldering his burdens and bailing him out of comic confrontations with Johns Hopkins president A. Taft Manley, Kodak front-man Alan Saxon-Hogg, and gangster Rudy Antonelli (not to mention such minor interlopers as crowbar-wielding Dan the Trucker, demanding that Sister Lulu, thrown out of the convent following an unlikely fling, return to his bed and board). As long as Ward (Red Baker, 1985, etc.) sticks to retailing Jeremy's shenanigans, Tom's affectionate reminiscences are often hilarious, but when he turns to the life lessons imparted by Tom's squabbling parents or his sophomoric rebellion against Dr. Spaulding or the kind of ``pure schematic bullshit'' that comes out in intense, run-on epiphanies or apothegms (``After only one maniacal afternoon with this madman, my entire emotional center had been displaced'')—then Ward, a generally successfully light humorist, gets stranded past his depth. And he gives short weight on his secondary characters—particularly his women, who do little more than change into a series of increasingly tight outfits for sex or photo ops. Affable and amusing, if, unlike the author, you don't take it too seriously.

Pub Date: April 1, 1993

ISBN: 0-671-79568-6

Page Count: 336

Publisher: Pocket

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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