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SUMMER IN THE CITY

Light urban romance no less enjoyable for its predictability.

Two advertising types fall in love even though they’ve never met and an ocean separates them.

There must be more than a few non-loathsome people in ad work, but from fiction like this, you’d never know it. The big firm here is a hotbed of suspicion and bitchy intrigue, not the kind of place you’d imagine its two basically goodhearted protagonists spending their days. The London half of the love equation is Suze Wilding, a designer, now 32 and somewhat at a loss romantically and professionally, so it’s little surprise that she jumps at the offer to do a job (and apartment) swap with an account executive in the New York office. The All-American Lloyd Rockwell can’t wait to get to London, either, though he’s a little disappointed that his controlling girlfriend Betsy wants to tag along. At first, everything goes swimmingly and each is delighted with the change of scenery (though homemaker-challenged Suze definitely gets the better of the apartment swap, thanks to Betsy’s manic decorating and cleaning), Suze getting a hot boyfriend in gadfly party promoter Nick Bianco and Lloyd just enjoying the Britishness of it all. Fate intervenes when a rather overexplained plot of corporate subterfuge enlists an unwitting Suze (not the brightest) in getting Lloyd summarily fired. Meanwhile, Suze finds out that Nick just might not be as dreamy as he seems, and Lloyd starts realizing (long after the reader has) how truly unpleasant a girlfriend Betsy is. In order to salvage Lloyd’s career and Suze’s soul, the two come together to work some ad magic on their bosses, and in the process of their lengthy phone conversations, spark up a friendship with promises of love. While hardly revealing any great depth to her main characters, Sisman nevertheless makes them into real people and not the clones of most chick-lit of this sort.

Light urban romance no less enjoyable for its predictability.

Pub Date: March 1, 2005

ISBN: 0-452-28612-3

Page Count: 304

Publisher: Plume

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2005

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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