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NURTURING THE SONG WITHIN

ART JOURNAL: BOOK 1

A multifaceted and heartfelt exploration of creative life.

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MacIver, a working artist and the founder of the Vermont-based Heron Dance Art Studio, offers an illustrated guide to applying personal insight to artistic pursuits.

The author organizes his book around the idea that “creating art is wonderful, but not nearly as wonderful as creating a life of beauty.” It’s a self-help work that explores how such notions of creativity relate to the examination of one’s own life. Amid vivid watercolor images by the author on every page—usually depicting aspects of nature, such as a forest or a flock of birds in flight—MacIver dispenses ideas in small doses. Advice includes taking the time necessary to construct a thoughtful work, and a recommendation to keep a journal, in which one should “talk to your Muse as if it is a person.” Perseverance is a key element: “One distinguishing characteristic of great artists is their willingness to experiment and fail.” Other pages are devoted to illustrations alone, such as one awash with hues of blue and purple inspired by the author’s time on the north shore of Lake Superior. It’s clear from the get-go that MacIver has put a great deal of passion, research, and effort into the work. The material never feels half-hearted, whether it’s selected anecdotes about creative artists such as Bob Dylan and Billie Holiday, questions such as “What do you want to get out of this strange, precious gift of life?,” or an image of a solitary white owl. Quotations, such as one from poet Tess Gallagher (“You can’t go deep until you slow down”) also support the text. Several of the book’s insights have great potency, as in observations on the importance of allowing a creative vision to evolve. On the other hand, some tips are rather obvious, such as that one should have a financial reserve (or at least a day job) that allows on to pursue one’s artistic activities, and the notion that “it takes courage to offer beauty and love to the world.” Still, the devotion required to construct such a work is inspirational in itself.

A multifaceted and heartfelt exploration of creative life.

Pub Date: July 31, 2024

ISBN: 9781933937946

Page Count: 190

Publisher: Heron Dance Press

Review Posted Online: July 31, 2024

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A WEALTH OF PIGEONS

A CARTOON COLLECTION

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

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The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.

Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

Pub Date: Nov. 17, 2020

ISBN: 978-1-250-26289-9

Page Count: 272

Publisher: Celadon Books

Review Posted Online: Aug. 30, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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GREENLIGHTS

A conversational, pleasurable look into McConaughey’s life and thought.

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All right, all right, all right: The affable, laconic actor delivers a combination of memoir and self-help book.

“This is an approach book,” writes McConaughey, adding that it contains “philosophies that can be objectively understood, and if you choose, subjectively adopted, by either changing your reality, or changing how you see it. This is a playbook, based on adventures in my life.” Some of those philosophies come in the form of apothegms: “When you can design your own weather, blow in the breeze”; “Simplify, focus, conserve to liberate.” Others come in the form of sometimes rambling stories that never take the shortest route from point A to point B, as when he recounts a dream-spurred, challenging visit to the Malian musician Ali Farka Touré, who offered a significant lesson in how disagreement can be expressed politely and without rancor. Fans of McConaughey will enjoy his memories—which line up squarely with other accounts in Melissa Maerz’s recent oral history, Alright, Alright, Alright—of his debut in Richard Linklater’s Dazed and Confused, to which he contributed not just that signature phrase, but also a kind of too-cool-for-school hipness that dissolves a bit upon realizing that he’s an older guy on the prowl for teenage girls. McConaughey’s prep to settle into the role of Wooderson involved inhabiting the mind of a dude who digs cars, rock ’n’ roll, and “chicks,” and he ran with it, reminding readers that the film originally had only three scripted scenes for his character. The lesson: “Do one thing well, then another. Once, then once more.” It’s clear that the author is a thoughtful man, even an intellectual of sorts, though without the earnestness of Ethan Hawke or James Franco. Though some of the sentiments are greeting card–ish, this book is entertaining and full of good lessons.

A conversational, pleasurable look into McConaughey’s life and thought.

Pub Date: Oct. 20, 2020

ISBN: 978-0-593-13913-4

Page Count: 304

Publisher: Crown

Review Posted Online: Oct. 27, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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