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TERRA INFIRMA

A MEMOIR OF MY MOTHER'S LIFE IN MINE

Poet and author Kamenetz (The Jew in the Lotus, 1994) turns his gaze more powerfully inward than ever before in this slender, emotionally searing recollection of his mother’s life and death. His mother died of cancer at 54, ravaged by a typically long and painful battle with the disease. Her son was with her when she died, along with her husband and one of her two twin daughters, and Kamenetz recounts the exact moment of her death in carefully observed detail and strikingly modulated tones. The rest of his essay maintains the mode of careful observation—the book is most powerful whenever the author draws upon the resonance of objects to convey the pain of emotions—but the tone veers, quite intentionally, between the detached coolness of the early pages, occasional dashes of humor, and a more openly agonizing self-assessment. Kamenetz’s relationship with his mother was rocky, as she yo-yoed between a smothering affection and a fierce anger. As a result, mother and son seemed to spend much time circling each other warily, like two planets held in a painful orbit by mutually powerful gravitational fields. Using essayist Montaigne as a model, Kamenetz tells his own story in a discursive, digressive style, ranging from mordant and funny ruminations on marriage and the nuclear family to harrowing descriptions of illness. He writes like the poet he is, wonderfully drunk on language and constantly serving up fresh metaphors for familiar emotions and experiences. His love for his mother—difficult, savage, sometimes lapsing into a paradoxically deep distaste—emerges clearly. At times a frightening read, but an honest and thoughtful one. (Author tour)

Pub Date: Jan. 18, 1999

ISBN: 0-8052-4167-1

Page Count: 128

Publisher: Schocken

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 1998

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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