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EMBRACING FRY BREAD

CONFESSIONS OF A WANNABE

Welsch’s gratitude toward the Omahas and Pawnees is real, his outrage at their painful history is justified, and his story...

A Nebraska-born folklorist shares how his life and perspectives have changed as a result of his 60-year-long relationship with Native American communities.

Welsch (My Nebraska: The Good, the Bad, and the Husker, 2011, etc.) resides with his wife in Dannebrog, Neb., (pop. 347) on land he has returned to the Pawnees—and on which he continues to live “by their grace.” Through personal interest, the author developed lifelong friendships with members of the Omaha and Pawnee nations, having been officially accepted as a member of both tribes. Welsch offers a disclaimer early on that his book is a memoir of his own experience of being accepted into another culture—a “casual, straggling conversation,” not a scholarly study, nor an attempt to speak on American Indians’ behalf. This approach makes the book authentic and engaging, if repetitious, and frees the author to toss in as much snark as he pleases. Welsch doesn’t suffer fools (most of mainstream white America, especially Nebraska football fans) gladly and doles out smug exaggerations where a touch of perceptive wit would be more effective and less alienating. Nonetheless, he writes ably and knowledgeably about a variety of topics, offering readers plenty to learn and enjoy. Welsch praises much of Indian culture, including civil debates, eloquent speechmaking, rich oral history, gift-giving practices, patriotism, community and lack of conflict among faiths. He also leverages his unique position as a full member of both cultures to humorously highlight the differences between Native and white cultures, such as “Indian Time,” and to deconstruct stereotypes in white and Native relations.

Welsch’s gratitude toward the Omahas and Pawnees is real, his outrage at their painful history is justified, and his story is proof that Native American culture is still alive and complex.

Pub Date: Dec. 1, 2012

ISBN: 978-0-8032-2532-9

Page Count: 296

Publisher: Bison/Univ. of Nebraska

Review Posted Online: Nov. 18, 2012

Kirkus Reviews Issue: Dec. 1, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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