An engrossing, heartbreakingly real novel of the South.
In Argo’s (The Courage to Kill, 2013, etc.) novel, set at the dawn of the civil rights movement, an earnest white teenager tries to figure out what kind of man he will become.
Growing up fatherless in a cash-strapped Alabama family is hard enough on 16-year-old Sonny Poe. But when he and a buddy accidentally witness a lurid backwoods lynching, things become decidedly more complex. Suddenly, he’s ducking members of the local Ku Klux Klan as he attempts to carry on more mundane pursuits, such as chasing girls, delivering newspapers and saving for a Harley-Davidson motorcycle. Into Sonny’s hard-pressed life steps Joe Peach, a local dentist with a painful past and a crusading spirit. “Dr. Joe” takes Sonny under his wing, but Sonny’s secret knowledge of backwoods violence plagues him. The budding friendship becomes more fraught when Dr. Joe is assigned a job to weed out local government corruption. Violence, and the threat of violence, continues to dog Sonny as he and Dr. Joe dig deeper into a police-sanctioned scam targeting the oppressed black community. Will Sonny rise to the challenge? Could any teen in his predicament prevail? In a style that’s evocative of S.E. Hinton’s classic works, with a dash of Daniel Woodrell’s Southern grit, Argo successfully creates a profound, multilayered tapestry that’s full of nuance. Sonny’s first-person perspective creates a fragile aura around the unfolding events and makes them wholly unpredictable; although he’s steadfast and true, Sonny is still a teenager, capable of wrecking his buddy’s car. The authentic dialogue is especially effective; each restrained syllable conveys as much as a five-page soliloquy, as when Sonny, after receiving a horrific beating, says that he’s “[g]ood. Been better, but good.”
An engrossing, heartbreakingly real novel of the South.Pub Date: March 1, 2014
ISBN: 978-0-9894035-7-3
Page Count: 376
Publisher: Cliff Edge Publishing
Review Posted Online: May 9, 2014
Kirkus Reviews Issue: June 15, 2014
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
One of the noblest characters in American literature gets a novel worthy of him.
Mark Twain's Adventures of Huckleberry Finn as told from the perspective of a more resourceful and contemplative Jim than the one you remember.
This isn’t the first novel to reimagine Twain’s 1885 masterpiece, but the audacious and prolific Everett dives into the very heart of Twain’s epochal odyssey, shifting the central viewpoint from that of the unschooled, often credulous, but basically good-hearted Huck to the more enigmatic and heroic Jim, the Black slave with whom the boy escapes via raft on the Mississippi River. As in the original, the threat of Jim’s being sold “down the river” and separated from his wife and daughter compels him to run away while figuring out what to do next. He's soon joined by Huck, who has faked his own death to get away from an abusive father, ramping up Jim’s panic. “Huck was supposedly murdered and I’d just run away,” Jim thinks. “Who did I think they would suspect of the heinous crime?” That Jim can, as he puts it, “[do] the math” on his predicament suggests how different Everett’s version is from Twain’s. First and foremost, there's the matter of the Black dialect Twain used to depict the speech of Jim and other Black characters—which, for many contemporary readers, hinders their enjoyment of his novel. In Everett’s telling, the dialect is a put-on, a manner of concealment, and a tactic for survival. “White folks expect us to sound a certain way and it can only help if we don’t disappoint them,” Jim explains. He also discloses that, in violation of custom and law, he learned to read the books in Judge Thatcher’s library, including Voltaire and John Locke, both of whom, in dreams and delirium, Jim finds himself debating about human rights and his own humanity. With and without Huck, Jim undergoes dangerous tribulations and hairbreadth escapes in an antebellum wilderness that’s much grimmer and bloodier than Twain’s. There’s also a revelation toward the end that, however stunning to devoted readers of the original, makes perfect sense.
One of the noblest characters in American literature gets a novel worthy of him.Pub Date: March 19, 2024
ISBN: 9780385550369
Page Count: 320
Publisher: Doubleday
Review Posted Online: Dec. 16, 2023
Kirkus Reviews Issue: Jan. 15, 2024
PERSPECTIVES
PERSPECTIVES
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