Perfect for Halloween storytimes—or any time at all.
A pair of brothers encounter a late-night terror in Keres’ spooky children’s tale.
This isn’t a picture book—not exactly. The narrator warns the audience that this story is “much too scary for PICTURES, so I plan to use WORDS.” While the words tell the story as text, they also, in Lin’s deft design, serve as illustrations. When the power goes out one stormy night, a scream wakes two brothers, who lie in bed, terrified. More unsettling noises follow, including creaks and cracks and thumps and growls. The presumed monster’s noises seem to fade, but then additional sounds make the boys curious enough to get over their fears and investigate (though they keep their blanket over their heads). When they reach the kitchen, the terror is undermined with a single comedic illustration that reveals all. (Some savvy readers may have guessed the identity of the culprit all along.) Mini-illustrations of each noise-causing event follow, laid out like a treasure map. The gorgeous use of words and shapes—the word door appears against a door’s outline, for example, and the word covers has a blanket over it—gives readers’ imaginations a chance to run wild. A kids’ picture book without traditional illustrations hasn’t been this much fun since B.J. Novak’s excellent The Book With No Pictures (2014)—Keres and Lin have created a joyfully creepy companion.
Perfect for Halloween storytimes—or any time at all.Pub Date: May 14, 2022
ISBN: 9798985911244
Page Count: 44
Publisher: Self
Review Posted Online: April 29, 2024
Kirkus Reviews Issue: July 1, 2024
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
An invitation to wonder, imagine and look at everything (humans included) in a new way.
A young boy sees things a little differently than others.
Noah can see patterns in the dust when it sparkles in the sunlight. And if he puts his nose to the ground, he can smell the “green tang of the ants in the grass.” His most favorite thing of all, however, is to read. Noah has endless curiosity about how and why things work. Books open the door to those answers. But there is one question the books do not explain. When the wind comes whistling by, where does it go? Noah decides to find out. In a chase that has a slight element of danger—wind, after all, is unpredictable—Noah runs down streets, across bridges, near a highway, until the wind lifts him off his feet. Cowman’s gusty wisps show each stream of air turning a different jewel tone, swirling all around. The ribbons gently bring Noah home, setting him down under the same thinking tree where he began. Did it really happen? Worthington’s sensitive exploration leaves readers with their own set of questions and perhaps gratitude for all types of perspective. An author’s note mentions children on the autism spectrum but widens to include all who feel a little different.
An invitation to wonder, imagine and look at everything (humans included) in a new way. (Picture book. 4-8)Pub Date: April 14, 2015
ISBN: 978-1-60554-356-7
Page Count: 32
Publisher: Redleaf Lane
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
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