by Ronald K.L. Collins & David M. Skover ‧ RELEASE DATE: Sept. 1, 2002
Detailed, objective, and valuable. (b&w photos)
Lenny Bruce’s career was a rhapsody in blue material. His comedy made him a master of free speech; his death sanctified him. Here, two thoughtful lawyers explore in depth some of the comic’s tribulations and trials.
There’s not much about the man himself. (For straight biography, readers should go back to Albert Goldman’s controversial Ladies and Gentlemen: Lenny Bruce!, 1974.) This is, rather, an exhaustive study of the comedian’s obscenity trials. The legendary prosecutions for dispensing dirty words a generation ago is the topic of discussion. It’s a narrative of how a hipster who worked with junkie jazz bands and hooker strippers became a defender of the Constitution simply by repeating common words for body parts, excreta, and sexual activity. His misdemeanor trials were widely—and inaccurately—reported. The authors set the record straight from the first arrest in San Francisco in 1961. Arrests followed across the country, culminating with the most hotly contested trial in New York. By 1970, the case against Bruce’s co-defendant (operator of the club where he uttered the words) was overturned. But it was too late for Bruce. He died more than three years before of a morphine overdose, booked, it seemed, more frequently in police stations than into clubs, sick, bankrupt, and killed, some said, by the law. The application of the law by both prosecution and defense is deconstructed even-handedly. The major problem may have been the defendant, who fancied himself a legal expert. Playing a shtarker Jewish lawyer, Lenny communicated improperly with judges, missed court dates, dismissed counsel. He wanted to do his act in court; judges wanted to wash his mouth with soap. Today, Bruce is venerated not because he worked blue or talked trash, but because he was truly funny and, more importantly, because he offered honest, seminal social commentary. An audio CD is included so readers may hear, among redundant exposition, the comedian himself, spritzing and killing at top speed.
Detailed, objective, and valuable. (b&w photos)Pub Date: Sept. 1, 2002
ISBN: 1-57071-986-1
Page Count: 560
Publisher: Sourcebooks
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2002
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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