A sensitive and well-plotted re-creation of perhaps the most scientifically and culturally significant era in French history.
An adventure tale featuring medicine, madness, and art in Meek’s historical novel set in 19th-century France.
Young Sabrine Weiss is talented, beautiful, innocent, and deeply disturbed. She’s also subject to what seem to be epileptic fits. When the novel opens, her fiercely protective older sister, Julie, has liberated her from the Salpêtrière, the most famous teaching asylum in Europe, hoping that the wider and more stimulating world of the Paris art scene will prove therapeutic. Julie is an editor and translator with ties to the vibrant Impressionist community, and all the expected scenesters are here: Cezanne, Degas, Pissarro, Monet and Manet, Gauguin, and Vincent van Gogh and his fiercely protective brother, Theo. Vincent, of course, is also deeply disturbed, famously slicing off his ear and committing suicide at 37. (Sabrine and Vincent eventually become soul mates.) Julie has many talents, among them hypnosis, by which she can probe a person’s distant past; she also can coax their dreams from them, which is her friend Sigmund Freud’s cue to enter the story. Will Sabrine be cured of her epilepsy, and her traumatic secret unearthed? This epic battle of science versus faith is one of the novel’s recurring themes, while medical advances and discoveries also take center stage. Freud’s alienist theories were just beginning to be warily respected. He had been the mentee of the famous Dr. Charcot, director the Salpêtrière, but they eventually parted ways. Julie sums it up by insisting (rightly) that the cause of her sister’s disturbed mind is not physiological (per Charcot) but psychological (per Freud). Meek notes changes in the three challenging decades that ushered in modern science and modern sensibilities. He’s a competent writer and keeps the plot moving. He revels in detailed scenes like the artists’ wild parties; and, in the denouement, readers get a sympathetic portrait of “Father” Pissarro, getting on in years but still delighting in the service of art. It’s a wonderfully upbeat note to end on.
A sensitive and well-plotted re-creation of perhaps the most scientifically and culturally significant era in French history.Pub Date: April 30, 2024
ISBN: 9781962465342
Page Count: 654
Publisher: Historium Press
Review Posted Online: July 12, 2024
Kirkus Reviews Issue: Sept. 15, 2024
Review Program: Kirkus Indie
BOOK REVIEW
Have tissues ready as you read this. A small package will do.
A love story about a life of second chances.
In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.
Have tissues ready as you read this. A small package will do.Pub Date: Oct. 7, 2025
ISBN: 9780062406682
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: July 18, 2025
Kirkus Reviews Issue: Aug. 15, 2025
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.
After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.
Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.Pub Date: Jan. 18, 2022
ISBN: 978-1-5420-2560-7
Page Count: 335
Publisher: Montlake Romance
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
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