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MOON’S CLOUD BLANKET

Name: MOON’S CLOUD BLANKET
Author: Rose Anne St. Romain
ISBN: 1-56554-922-8

by Rose Anne St. Romain & illustrated by Joan Waites ‧ RELEASE DATE: April 1, 2003

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St. Romain, in her first published work, shows that she is a master storyteller with this Native American legend from Louisiana. During a flood, a woman and her children seek refuge in the giant cypress trees of the bayou. High in the branches the three cling together for warmth as night arrives and the moon comes out. Fearing that they will freeze to death, the woman implores the moon to help them, and she does. By drawing clouds near her and weaving all night, the moon fashions the most fragile of blankets with which to cover the family and keeps them warm until the flood finally recedes and the family is able to go home. Over the years, the moon’s blanket is taken to other locations and becomes known as Spanish moss. No documentation is given for Waites’s depiction of furry-looking garments and shoes worn by each of the family members or for the palmetto hut depicted as round, but without the willow or cypress poles normally thought to have supported the rounded roof of palmetto fronds and grass rope. While this is a straightforward telling that will engage the reader over and over again, the watercolor illustrations, while adequate, are not of the same stellar quality. An optional purchase for most libraries. (Picture book/folktale. 5-8)

Pub Date: April 1, 2003

ISBN: 1-56554-922-8

Page Count: 32

Publisher: Pelican

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2003

Categories:

CHILDREN'S GENERAL CHILDREN'S

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RAPUNZEL

adapted by Rachel Isadora & illustrated by Rachel Isadora ‧ RELEASE DATE: Oct. 1, 2008

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Rapunzel, Rapunzel, let down your dreads! Isadora once again plies her hand using colorful, textured collages to depict her fourth fairy tale relocated to Africa. The narrative follows the basic story line: Taken by an evil sorceress at birth, Rapunzel is imprisoned in a tower; Rapunzel and the prince “get married” in the tower and she gets pregnant. The sorceress cuts off Rapunzel’s hair and tricks the prince, who throws himself from the tower and is blinded by thorns. The terse ending states: “The prince led Rapunzel and their twins to his kingdom, where they were received with great joy and lived happily every after.” Facial features, clothing, dreadlocks, vultures and the prince riding a zebra convey a generic African setting, but at times, the mixture of patterns and textures obfuscates the scenes. The textile and grain characteristic of the hewn art lacks the elegant romance of Zelinksy’s Caldecott version. Not a first purchase, but useful in comparing renditions to incorporate a multicultural aspect. (Picture book/fairy tale. 6-8)

Pub Date: Oct. 1, 2008

ISBN: 978-0-399-24772-9

Page Count: 32

Publisher: Putnam

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Sept. 1, 2008

Categories:

CHILDREN'S GENERAL CHILDREN'S

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by Rachel Isadora ; illustrated by Rachel Isadora

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MY DOG LAUGHS
by Rachel Isadora ; illustrated by Rachel Isadora

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I JUST WANT TO SAY GOOD NIGHT
by Rachel Isadora ; illustrated by Rachel Isadora

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STINK AND THE MIDNIGHT ZOMBIE WALK

From the Stink series

by Megan McDonald & illustrated by Peter H. Reynolds ‧ RELEASE DATE: March 13, 2012

This story covers the few days preceding the much-anticipated Midnight Zombie Walk, when Stink and company will take to the...

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An all-zombie-all-the-time zombiefest, featuring a bunch of grade-school kids, including protagonist Stink and his happy comrades.

This story covers the few days preceding the much-anticipated Midnight Zombie Walk, when Stink and company will take to the streets in the time-honored stiff-armed, stiff-legged fashion. McDonald signals her intent on page one: “Stink and Webster were playing Attack of the Knitting Needle Zombies when Fred Zombie’s eye fell off and rolled across the floor.” The farce is as broad as the Atlantic, with enough spookiness just below the surface to provide the all-important shivers. Accompanied by Reynolds’ drawings—dozens of scene-setting gems with good, creepy living dead—McDonald shapes chapters around zombie motifs: making zombie costumes, eating zombie fare at school, reading zombie books each other to reach the one-million-minutes-of-reading challenge. When the zombie walk happens, it delivers solid zombie awfulness. McDonald’s feel-good tone is deeply encouraging for readers to get up and do this for themselves because it looks like so much darned fun, while the sub-message—that reading grows “strong hearts and minds,” as well as teeth and bones—is enough of a vital interest to the story line to be taken at face value.