An enjoyable romp, even if its main character is more of a Watson than a Sherlock.
In Russell’s debut thriller, a journalist takes over a murdered colleague’s story.
When Albuquerque Post reporter Jessica Curtis’ co-worker and mentor Joe Taylor is found dead, she hopes to take the reins on his ongoing series of articles about a three-year-old Santa Fe murder. Joe was secretive about his investigation into the killing of wealthy art dealer Michael Lange, but Jessica, armed with Joe’s files, is determined to follow it up. She shrugs off warnings from her managing editor, Bill Kenner, and police detective Paul Liguori, who originally worked the case. Jessica’s certain that Joe and Lange were killed by the same person, and her speculation seems to be confirmed when she receives an anonymous, threatening note telling her to drop the story. Later, a person who might have had valuable information is killed before Jessica can learn anything. Jessica thinks she may find answers in cassette-tape recordings of Joe’s interviews, but she has to find them before the killer does—and before the killer kills her. Along the way, Jessica meets a tall, dark and handsome artist named Nicholas Adoni, but she isn’t sure if she can trust him. Russell’s meritorious mystery provides delightful visual cues throughout; for example, some suspects have physical traits to match their personalities—a nondescript senator’s aide has a lack of expression that gives Jessica chills and an affluent womanizer has beady eyes. Russell does forgo some of the fun of building up suspicion; Jessica begins her investigation with an already compiled list of suspects, and she doesn’t learn very much beyond what was already in Joe’s files. The files also provide her with possible motives and lead her to what may be the most significant clue. That said, it’s terrifically suspenseful when Jessica is invited to an upscale party where she’s surrounded by potential killers.
An enjoyable romp, even if its main character is more of a Watson than a Sherlock.Pub Date: Sept. 14, 2013
ISBN: 978-1484820650
Page Count: 352
Publisher: CreateSpace
Review Posted Online: May 30, 2014
Review Program: Kirkus Indie
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
