A credible bit of sleuthing and a spectacular escalation factor give this opener a bit of bounce.
A seemingly insignificant clue leads three young would-be detectives to mind-blowing adventures in their outwardly ordinary suburban neighborhood.
Casting about for some small mystery to solve, the Exploration-Mystery-Unbelievable Club—newly founded out of boredom by preteen Stuart, his mildly OCD best bud, Brian, and tag-along little sister, Violet—starts with a loose paint chip. In no time, they are exploring a high-tech underground lair, discovering that Stuart’s pooch, Ferdinand, isn’t at all what he seems and becoming Earth’s first line of defense against an incoming extraterrestrial fleet. Along with creating mildly fizzy chemistry for his squabbling trio, Bolling, creator of the satiric comic strip Tom the Dancing Bug, keeps the surprises coming—with occasional pauses while Brian goes off to wash his hands or practice his didgeridoo. Stuart’s matter-of-fact narrative is strewn with Violet’s cartoon “photos” of important evidence or characters posing hammily. Turning out to be cats and therefore vulnerable to Super Soaker blasts and passing balls of yarn, the aliens are driven off handily without, happily, drawing unwanted parental attention. Stuart follows up with a handy chart of ways to repulse future attacking alien animals, plus hints about upcoming episodes.
A credible bit of sleuthing and a spectacular escalation factor give this opener a bit of bounce. (Mystery/fantasy. 8-10)Pub Date: April 7, 2015
ISBN: 978-1-4494-5709-9
Page Count: 112
Publisher: Andrews McMeel Publishing
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
BOOK REVIEW
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock”...
The theme of persistence (for better or worse) links four tales of magic, trickery, and near disasters.
Lachenmeyer freely borrows familiar folkloric elements, subjecting them to mildly comical twists. In the nearly wordless “Hip Hop Wish,” a frog inadvertently rubs a magic lamp and finds itself saddled with an importunate genie eager to shower it with inappropriate goods and riches. In the title tale, an increasingly annoyed music-hating witch transforms a persistent minstrel into a still-warbling cow, horse, sheep, goat, pig, duck, and rock in succession—then is horrified to catch herself humming a tune. Athesius the sorcerer outwits Warthius, a rival trying to steal his spells via a parrot, by casting silly ones in Ig-pay Atin-lay in the third episode, and in the finale, a painter’s repeated efforts to create a flattering portrait of an ogre king nearly get him thrown into a dungeon…until he suddenly understands what an ogre’s idea of “flattering” might be. The narratives, dialogue, and sound effects leave plenty of elbow room in Blocker’s big, brightly colored panels for the expressive animal and human(ish) figures—most of the latter being light skinned except for the golden genie, the blue ogre, and several people of color in the “Sorcerer’s New Pet.”
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock” music. (Graphic short stories. 8-10)Pub Date: June 18, 2019
ISBN: 978-1-59643-750-0
Page Count: 112
Publisher: First Second
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
The small, novel-like format (5.5 x 8 inches) will most likely appeal to reluctant or recently independent readers, who...
This much-abridged recreation of the famous tale by Hans Christian Andersen is smoothly told, following the original structure of seven short chapters, while leaving out numerous details and the Christian elements of the original.
Characters (a wolf) and incidents (a final confrontation between Gerda and the Snow Queen) have been added. Because of the elision and truncation of incidents from the original story, Gerda’s quest is less immediate and heart wrenching, and the motivations of many of the characters she meets are harder to understand. For example, it is not clear that the old woman with the magical garden tries to keep Gerda with her because she has always longed for a daughter, nor is the precarious situation of the outlaw’s daughter, who, in the original, sleeps with a knife at her side, apparent. The sophisticated, surreal and dreamlike illustrations created through mixed media, including manipulated photographs of dolls, flowers and paper constructions, often charmingly spill over onto the pages of text.
The small, novel-like format (5.5 x 8 inches) will most likely appeal to reluctant or recently independent readers, who might be encouraged by this simple retelling to seek fuller versions of the tale. (Fairy tale. 8-10)Pub Date: Sept. 1, 2011
ISBN: 978-1-84686-662-3
Page Count: 64
Publisher: Barefoot Books
Review Posted Online: July 5, 2011
Kirkus Reviews Issue: July 15, 2011
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