by Rupert Isaacson ‧ RELEASE DATE: April 2, 2009
Breathtaking atmosphere, solid prose and stunning cultural observations can’t obscure troubling parental desperation and...
A father goes to great and treacherous lengths to “cure” his autistic son.
Texas-based travel writer Isaacson met wife Kristin while traveling through India on assignment. The birth of their son Rowan in 2001 joyfully coincided with their seven-year anniversary. It wasn’t long, however, before Kristin, a child-development psychologist, recognized early deficiencies in Rowan, as well as intermittent tantrums and mood swings that quickly increased in severity and regularity. After Rowan was diagnosed with autism at two-and-a-half, both parents considered various behavioral interventions. Some promised a possible recovery while others—chemical detoxification, viral therapy, diet modification—seemed overly radical. Only rushed trips into the forest seemed to quell Rowan’s rages, which by age three had become a daily occurrence. The boy had a one-time positive response to healers and shamans from a delegation of Kalahari Bushmen Isaacson knew from his years in Africa. Rowan also demonstrated an extraordinary connection with animals, specifically with Betsy, an aging mare who genuflected in uncharacteristic “voluntary obeisance” whenever she was in the boy’s presence. In learning to ride Betsy, even Rowan’s verbal skills improved. Putting all these pieces together, the author proposed to a reluctant Kristin that they backpack and ride horses across Mongolia, integrating Rowan with the faith and trance healers of the “horse people” who lived there. Together with their guide Tulga, the Isaacsons experienced unorthodox rituals, mineral springs and exotic edible delicacies (fermented mare’s milk, bloody “boiled and quivering” sheep’s lung). They navigated the hilly terrain of the Mongolian steppe and, after a grueling nine-hour ascent into the mountains of southern Siberia, met Ghoste, a powerful Siberian shaman. By this stage in his quest, however, Isaacson begins to sound like a dangerously focused extremist. His determination in seeking normalcy for his son was honorable, but the dangerous situations he was willing to put his family in to achieve this goal are disturbing.
Breathtaking atmosphere, solid prose and stunning cultural observations can’t obscure troubling parental desperation and skewed priorities.Pub Date: April 2, 2009
ISBN: 978-0-316-00823-5
Page Count: 352
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2009
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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