Sophisticated pleasures and a grown-up love story from the estimable Hoban.
A quick, droll, pleasantly amusing love story set in London around about now.
Max Lesser—like his creator, Hoban (Angelica’s Grotto, 2001, etc.)—is a novelist and children’s book writer (Max’s novels don’t sell, though his series about a hedgehog, Charlotte Prickles, does very well), but, seemingly unlike Hoban, he’s blocked, long since unable to get “anything that looks like Page One of a new novel” or to get a new hedgehog idea. Then? Well, through the mail slot comes an anonymous CD with a raga on it—and, after Max plays it, things get curiouser and curiouser. Max has a kind of blackout on his way to a lunch date, then is more or less assaulted by an ugly and smelly dwarf who’s groveling almost animal-like on the pavement: this dwarf leaps onto Max’s back and flattens himself there, tangible and visible to poor Max but not to others. What is he? A visit to the Victoria and Albert Museum and a statue there of Shiva reveals that the dwarf, held down under Shiva’s foot (the weight disappears from Max’s back as the dwarf slips back under the foot), is Apasmara Purusha, the “dwarf demon called Forgetfulness.” Another visit, this time to a kind of prophetess named Grace Kowalski, who’s aided by much vodka and another playing of the raga, at last reveals to Max who sent him the CD: Lola Bessington! The reader may be a bit confused as to how Max could ever have forgotten the wonderful Lola, or what her motive really was in sending the raga (she composed the music herself), but there’s no confusion at all as bit by bit Max re-remembers Lola, how much they loved each other, and then the awful, awful, contemptible thing he did to her that ended all—until now, and their near-miraculous, no, their miraculous reunion.
Sophisticated pleasures and a grown-up love story from the estimable Hoban.Pub Date: July 1, 2004
ISBN: 1-55970-726-7
Page Count: 224
Publisher: Arcade
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2004
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and...
An amazingly intricate and ambitious first novel - ten years in the making - that puts an engrossing new spin on the traditional haunted-house tale.
Texts within texts, preceded by intriguing introductory material and followed by 150 pages of appendices and related "documents" and photographs, tell the story of a mysterious old house in a Virginia suburb inhabited by esteemed photographer-filmmaker Will Navidson, his companion Karen Green (an ex-fashion model), and their young children Daisy and Chad. The record of their experiences therein is preserved in Will's film The Davidson Record - which is the subject of an unpublished manuscript left behind by a (possibly insane) old man, Frank Zampano - which falls into the possession of Johnny Truant, a drifter who has survived an abusive childhood and the perverse possessiveness of his mad mother (who is institutionalized). As Johnny reads Zampano's manuscript, he adds his own (autobiographical) annotations to the scholarly ones that already adorn and clutter the text (a trick perhaps influenced by David Foster Wallace's Infinite Jest) - and begins experiencing panic attacks and episodes of disorientation that echo with ominous precision the content of Davidson's film (their house's interior proves, "impossibly," to be larger than its exterior; previously unnoticed doors and corridors extend inward inexplicably, and swallow up or traumatize all who dare to "explore" their recesses). Danielewski skillfully manipulates the reader's expectations and fears, employing ingeniously skewed typography, and throwing out hints that the house's apparent malevolence may be related to the history of the Jamestown colony, or to Davidson's Pulitzer Prize-winning photograph of a dying Vietnamese child stalked by a waiting vulture. Or, as "some critics [have suggested,] the house's mutations reflect the psychology of anyone who enters it."
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and cinema-derived rhetoric up the ante continuously, and stunningly. One of the most impressive excursions into the supernatural in many a year.Pub Date: March 6, 2000
ISBN: 0-375-70376-4
Page Count: 704
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2000
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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