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ROSIE'S MAGIC HORSE

It’s an exuberant reminder to dream big, although, sadly, Hoban’s text has been Americanized, losing some of its flavor.

A little girl finds a discarded ice-pop stick, triggering a surprising adventure in this rib-tickling fantasy.

When Rosie discovers a used ice-pop stick, she automatically adds it to the cigar box housing her collection of other ice-pop sticks. The other sticks whine they are “nothing” without their frozen confections, but the sassy new stick boldly asserts he could be something, “maybe a horse.” At bedtime, Rosie wishes for a treasure chest to help her parents pay their bills while her fingers arrange the sticks into a horse shape. Midnight arrives, and Rosie awakens when a horse named “Stickerino” gallops out of the cigar box, promising to take her where there’s treasure. Rosie and Stickerino fly over cities, jungles, oceans and deserts until they arrive at an ice-pop mountain, where Stickerino “stickles” some pirate toughs while Rosie grabs a treasure chest. Next morning, Rosie presents her amazed father with a chest of gold while the sticks recover from their adventure. Blake’s sprightly, quirky signature ink-and-watercolor illustrations vibrate with playfulness and humor as they transport Rosie and Stickerino from their mundane urban world across color-washed pages to a rainbow-hued ice-pop mountain populated with rascally pirates, hilariously tickled into submission by empowered ice-pop sticks.

It’s an exuberant reminder to dream big, although, sadly, Hoban’s text has been Americanized, losing some of its flavor. (Picture book. 4-8)

Pub Date: Feb. 12, 2013

ISBN: 978-0-7636-6400-8

Page Count: 40

Publisher: Candlewick

Review Posted Online: Nov. 30, 2012

Kirkus Reviews Issue: Dec. 15, 2012

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THE MOST BORING BOOK EVER

Sky-based pyrotechnics make for a fun if somewhat confusing telling.

In this collaboration between sci-fi novelist Sanderson and Amulet creator Kibuishi, an unreliable narrator informs readers that here be no dragons.

“A boy sat in a chair.” The book opens on a bespectacled, light-skinned child in old-fashioned attire. The narration continues, “That’s it. He just sat in a chair,” while on the opposite page, the boy’s chair has unexpectedly whisked him heavenward. The narrator attempts to convince readers that just sitting in a chair is boring. As the story continues, however, the boy is attacked by an array of sky ruffians operating vessels; fight scenes and impressive explosions ensue. A dragon makes an appearance as the narrator drones on about how dull the story is. Kibuishi’s detailed cartoon images depict an enticing steampunk-esque world. Adults reading this book to kids might want to read the text first without the pictures; on a second run they can show off the images, neatly illustrating the important interplay of text and visuals in sequential art. Unfortunately, for all that the illustrations maintain the action at a fair clip, near the end the plot grows muddled as the boy gets out of his chair but then tumbles to the ground: Was he falling and then trying to stop himself? Some adult intervention may be required to clarify what precisely is happening on the page.

Sky-based pyrotechnics make for a fun if somewhat confusing telling. (Picture book. 4-7)

Pub Date: Sept. 24, 2024

ISBN: 9781250843661

Page Count: 48

Publisher: Roaring Brook Press

Review Posted Online: Aug. 30, 2024

Kirkus Reviews Issue: Oct. 1, 2024

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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